Set on the cusp of the 19th century in Delhi before the British ruled in that region, the drama depicts the fortunes of the residents of Beecham House, an imposing mansion surrounded by acres of exotic woods and pristine lawns. Tom Bateman (Vanity Fair, Jekyll and Hyde) takes the role of enigmatic, soulful John Beecham, a handsome former soldier who has purchased the magnificent mansion, Beecham House, to begin a new life with his family. Wealthy and distinguished, John has witnessed profiteering and exploitation during his time with the controlling East India Company and has resolved to conduct his business as a trader in a more equitable manner. Determined to escape his previous life, John appears haunted by his past, but is inspired to become an honourable member of the region’s trading community. In spite of John’s good intentions his life is shrouded in mystery and when he arrives at the house with an ‘olive-skinned‘ child named August and two Indian nursemaids, Chanchal (Shriya Pilgaonkar) and Maya (Trupti Khamkar), it causes speculation and gossip amongst the servants that he may be the boy’s father. One of the Indian nursemaids, the beautiful Chanchal, is overly protective and particularly fond of the child. Could she be John’s lover and the mother of August? Lesley Nicol (Downton Abbey) is John’s robust, interfering mother Henrietta who has travelled from England to India to stay with her son. She is accompanied by a young family friend Violet, played by Bessie Carter (Les Miserables) who she is determined to help form a union with John. The pair are accompanied by an old friend of John’s, Samuel Parker, played by Marc Warren (Safe, Hustle) who has also left the East India Company and has returned to India for a fresh start. Samuel helps John to find his brother Daniel who he has not seen for 10 years. John convinces Daniel, Leo Suter, (Victoria) to leave the East India Company and join him at Beecham House. Gregory Fitoussi (Mr Selfridge, Spiral) plays General Castillon, a French mercenary working for the Emperor at a time when the French are challenging the East India Company for India. Castillon is suspicious of John and his motives and conspires to stop John being granted a trading licence. Adil Ray (Citizen Khan, Ackley Bridge) is John’s neighbour Murad Beg who dislikes General Castillon intensely and agrees to help John secure a trading licence. Murad’s daughter, Roshanara, (Kanika Kapur) has an English governess Margaret Osborne, played by Dakota Blue Richards (Endeavour) whose beauty and intelligence catches John’s attention. However, when beautiful Chandrika (Pallavi Sharda) arrives at Beecham House with her entourage she is shown to luxurious guest quarters and immediately insists on seeing August. What secrets does Chandrika bring with her to Beecham House?
先大吼一声：我最近都不要看东雅家庭电影了！！！！！！！！
看了简评，才看的此片，值得一看鼓励，要放开了做，会更好。
最后那一刀必杀，完美。
一部探索归属感的电影，情感细腻，主题沉重。
一边说“侠以武犯禁”，一边说“只有磨坏的刀，没有歌不完的韭菜”
如果这部春节时在院线上映了，大概就是春节档中质量数一数二的吧。
剧情还行，打斗场面炫酷。
剧情不拖泥带水，打戏很多很长很好看。就是立意有点弱了，非黑即白的结局，杀完人一点升华都没有就开始播片尾演员表了……
以罗通为视角，漕帮卷入阴谋之中，同样是为父报仇，背后的老谋深算，谁曾想，下一代还是要卷入其中，到底什么是大业呢？被洗脑过了头的人真是天真的可怕~
@@@@（2022-02-01）枕刀歌之尘世行
台湾喜欢拍这种生活剧，淡如白水，有如纪录片，自以为还原真实，却不知电影是在对现实艺术加工的基础上，演技亦是如此，不是仅仅还原真实，而是要艺术加工，却不做作！台湾比大陆还是差得远！
第一次聽到這部片是浩爾提起，導演阮鳳儀是他多年的好友，據說片中有不少是導演自己真實的經歷。細膩而真實，用怒罵來表達愛，用對抗來尋找存在，是多少人心中之遺憾的起點。
很多动作其实真人都做不出来的 违反物理定律 当然制作很认真 鼓励 剧情也不是单纯的好人坏人
剧情略显老套,武术指导满分,反派的断刃插入那面墙,随之死而坍塌!可坍塌又何止是墙的本身?将伪善、人性的恶再次放大让男主不免后脊发凉,救的世仍是一个无可救药的趋炎附势!主角人物过于扁平而不及反派塑造的立体,于乱世中不为私有理想有城府,洞悉人性,平衡之道!罗通杀西门,却又成为西门;如同何方知寻仇,成为下一个罗通...
[视]3D写实场景+2D漫画人物，动作戏突出，高帧招式+灵活运镜，没有仙侠夸张粒子特效。服装朴素，人物表情口型廉价，场景贴图模糊细节不足。剧情简单，格局偏小，主要角色不多，女主眼睛太大较出戏，缺少抓人眼球的角色。PS5时代玩着用虚幻4引擎做的PS3画面的游戏——确实没钱，想到<木兰：横空出世>和日本纸片人泡面番。片尾字幕搭配兵器谱与公众号二维码，有彩蛋
无论什么事，一旦你想装深沉，就显得矫情了。
喜欢江渊。
关于家庭的台湾电影真是越来越吸引我，从经典的侯杨李蔡到近几年的《阳光普照》《孤味》《瀑布》，可以说除开恐怖片，就属家庭片最大放异彩了。《美国女孩》和李安的三部刚好相反，受美式文化教育和影响的少女回到台湾后的各种不适和抵触，是对不同大环境的反抗，也是对相同小环境的反抗，一个是社会一个是家庭。和《瀑布》一样，也有一个一段很重要的关于疫情的戏，一场疫情也在某些方面改变了整个社会和整个家庭关系。完成度很高，感情表达到位且细腻，这股台味真是越品越迷人。
台湾喜欢拍这种生活剧，淡如白水，有如纪录片，自以为还原真实，却不知电影是在对现实艺术加工的基础上，演技亦是如此，不是仅仅还原真实，而是要艺术加工，却不做作！台湾比大陆还是差得远！
打戏流畅，文戏有思考。
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