Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
这各个地方出现过的各种配乐搞得我有点穿越了…
看下来轻松愉快，小黄人依旧可爱，中国元素融入的还挺有趣的，有中国人都会kongfu的刻板印象（bushi
非常欢乐的电影。6.5到7分左右，给4⭐️是因为可爱(*~▽~)
🥺🥺🥺🥺🥺🥺😭😭😭😭我的小黄人
太幼向了，吵得我耳朵疼，而且这部电影真的不会被天主教徒起诉吗？？
其实只要放两个小时小黄人搞笑卖萌就行了，真的不要费心思去编什么故事的
总之世界上怎么会有小黄人这么可爱的东西，观影途中被萌到喉咙里嘤嘤嘤的声音特别自然就冒出来了，太可爱了！！安利大家都去看呀！
开头中文歌，Chinese New Year 而不是Lunar New Year，中国不引进真的会伤Universal的心💔三星半吧，最后神兽打架着实有点无聊。
Stuart可爱死我了呀………比这个系列之前的所有都要好，可能是因为finally孩子不熊了吧。（
很高兴能在影片中看到大量的中国元素，也在为中国元素在世界上越来越受欢迎而兴奋。不过说回影片本身，剧情简单而幼稚，但确实有几场戏笑到了我，对于一部娱乐儿童片来说无可厚非了。希望环球用心做好这个IP，不要像侏罗纪速激那样烂尾。
比第一部小黄人好太多了吧。虽然还是嘻嘻哈哈合家欢，但总算有那么一点点故事线了。音乐的选择挺有意思，片头曲居然是首中文歌给我听懵了。意外之喜是这部居然把博士的源头也给顺带介绍了。
@Scotiabank Theatre 不过不失也没什么亮点，当然小黄人电影我们也不一定需要期待别的！萌就行了。片长很短，中式元素多归多但基本都是草草堆砌，也没有第一部对历史梗的黑色幽默改编，倒像是美西/旧金山风光片，可能最大的惊喜是杨紫琼，第二大的惊喜是结尾配了一段滚石做主题曲，别的，嗯嗯。
作为今年目前在电影院看的让我笑的最开心的电影我就要打五星
20岁再遇小黄人，与印象中经典讨喜的形象已经大相径庭，再多的情怀也掩盖不过其笨拙低幼的故事空壳，这种从形象上已占票房优势的动画电影，果真啥内涵都用不着了。
一眨眼小黄人也拍了十几年了。去电影院看着小黄人彻底放空自己笑两个小时，似乎慢慢成了一种习惯。
中国元素很足，中国新年、中国功夫、十二生肖等等，一群小黄人可可爱爱萌化了，最后那个🐥小鸡儿小小黄人在神偷奶爸里面并没有出现过。
一边骂好莱坞毫无创新的复制粘贴，一边希望续集快点出来。
当个下饭电影还行，特地去看没什么必要。感觉都是一些烂梗了。
中国元素糅合的还不错哈哈哈蛮好笑的，结尾大家还集体鼓了两次掌2333
和一群美国高中生一场还蛮欢乐的。在该欢呼的地方欢呼，要鼓掌的地方鼓掌。
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