Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
作为一个original story，这部跟之前两部电影好像除了share a same name别的毫无关系。作为一个independent story，这故事也讲的太糟糕了。之前读过的non fiction八月炮火都比这个讲的好
。。。。下次有第四部建议直接看少儿不宜部分，然后跑
这个系列追到第三部，心态放得很平，因为第二部实在太烂了（当然我也依然在追）。看前半部分，我的内心：就这还好意思上imax？？看后半部分，我懂了，是为了战争和打斗画面是吧，也还行，完成度不错。但是剧情真的，无力吐槽，充满了意淫。
看 Ralph Fiennes 和 Rhys Ifans 互动一本满足。PWP。
这个源起拍得太难看了，与其砸钱拍这么个破片子用来介绍《王牌特工》系列里的组织背景，不如做个PPT算了。
一些小细节还是有触动，比方男主为什么不陪女主去西雅图，那是他最想要的工作，果断拒绝的原因是当时不知道女主也要去。
这片是不是有问题？指向都是另一部电影——我所有的朋友都死了 Wszyscy moi przyjaciele nie zyja (2020)。。。
历史观还挺有意思的。一旦让我开启了左翼之怒，你的烦恼将会是无法找到相制衡的右翼。
我焯，最后被狗血淋了一头的感觉，没有最狗血只有更狗血
治疗腿那段，不愧是大英腐国。没想到穿过了枪林弹雨，却被友军一枪爆头，死得如此潦草。
全程快进看完 卧槽 为了颜值和狗血都看不下去了 这是暮光之城版的绯闻少女吗！！居然还拍第四部
比2好看，拍成连续剧了，剧情好慢。。。。。。
难看到主角一生气我就想笑的程度，各种起伏冲突看得我地铁老爷爷看手机，竟然有种虽然难看但还是想看下去的魔力😅
。。。。下次有第四部建议直接看少儿不宜部分，然后跑
充满惊喜，比第二部强得多，既交代了前情历史，也为后来的剧情做了铺垫，剧情也充满也有不少惊喜，特别是妖僧一边跳俄罗斯民族舞，一边战斗，真是太燃了！
先说制作水准，是真的不太行。看完还以为是马修沃恩监制，结果是马修沃恩导演。。。
马修古迪的出场太早了吧，科林费斯还没出现呢，难怪要成为单身男子。
如果我犯了罪 法律会制裁我 而不是让我在几年前看起了之后和亲吻亭🙂（后者稍微好那么一点点点点
有一句话叫“听人劝，吃饱饭”，但凡也不至于浪费这么珍贵的周末晚上
他才是真正的“王的男人”
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