[satyamev jayate」意为“真理战胜一切"，这句话写在印度国徽上，是印度的座右铭。宝莱坞电影巨星阿米尔汗历时两年，打造出这一关注社会、贴近民众、深层次揭露社会问题的节目。他采访不同阶层印度人的真实故事,大胆曝光印度社会种种弊病,力图以残酷真相打动和唤醒大众,进 而努力改变现状、治愈丑陋伤疤。
Episode 1: Fighting Rape 对抗强暴
The first episode of Satyamev Jayate Season 2, telecast on March 2, 2014, dealt with the issue of rape and underlined several systemic factors that act as roadblocks on the path to justice for survivors.
The Vote for Change campaign for this episode centred around three focal points:
The setting up of One-Stop Crisis Centres in every district of India as per the guidelines recommended by the Justice Usha Mehra Commission.
The creation of Vulnerable Witness Deposition Courtrooms across the country.
A gender-sensitive, scientific and humane protocol for the medical examination of survivors of rape, to be uniformly implemented across the country.
Episode 2: Police 警察
On March 9, 2014, the second episode was telecast and it dealt with the need for reforms in the police. In 21st century India, the system of policing is still by and large within the framework of the 1861 Police Act introduced during the colonial British Raj. The police continues to be a ruler’s police rather than a people’s police.
The Vote for Change campaign for this episode urged citizens to support the demand that the 2006 judgment of the Supreme Court in the case filed by former DGP, UP, Shri Prakash Singh be implemented and a people-friendly police force be created.
Episode 3: Don’t Waste Your Garbage 不要看浪费你的垃圾
The third episode of Satyamev Jayate, telecast on March 16, 2014, dealt with one of the most shameful problems persisting in our cities and towns, viz: garbage and the scandalous state of solid waste management.
The Vote for Change campaign for this episode called upon people to support the demand that incinerator technology for burning waste be opposed and that state governments and union territories work towards implementing the Municipal Solid Wastes (Management and Handling) Rules, 2000.
Episode 4: Kings Every Day 我自君王，每日
Telecast on March 23, 2014, the fourth episode dealt with the need for strengthening grassroots democracy and in particular, highlighted important measures to help fight corruption and increase public participation in governance.
The Vote for Change campaign for this episode urged citizens to lend their support to the demand for social audits of the government’s expenditure on social welfare, and the passing of the Public Services Grievances Bill which will help ensure that essential services are delivered in a time-bound manner to citizens.
Episode 5: Criminalization of Politics 政策犯罪
Satyamev Jayate’s fifth episode, telecast on March 30 2014, dealt with the rampant criminalization of politics in our country.
The Vote for Change campaign for this episode called upon people to support the demand that the proposal of the Election Commission to debar candidates with serious criminal charges (with appropriate safeguards) is brought into effect and such candidates are not allowed to contest elections.
Just came out of my meeting with Honorable Prime Minister of India Shree Narendra Modiji. Was very kind of him to spare his valuable time.
— Aamir Khan (@aamir_khan) June 23, 2014
Shared with him the overwhelming support that we got from people across the country through Vote for Change Campaign...
— Aamir Khan (@aamir_khan) June 23, 2014
..on SMJ on the various issues that we tackled in our show. He has assured me that he will look into all the matters pic.twitter.com/AI7e8cX9Bn
— Aamir Khan (@aamir_khan) June 23, 2014
http://www.satyamevjayate.in/petitions-reach-topm.aspx
果然是首尔怪谈：铁线虫+女高+傀儡（人偶）+……把韩恐卖的好的故事打包了个精简快餐
PYIFF 欧洲片拍法，贾樟柯式叙事，融进柬埔寨里。
还行吧，故事实在有点无趣了，有些特效还贼出戏……就是里面帅哥美女倒是蛮多的，也就看看脸，部分小故事真的看的我从头无语到尾
十个拼盘小故事，没有一个能吓到人…没有主线串联的情况下起码把各自的故事讲讲好吧，没一个合格的，没头没尾，毫无逻辑，粗制滥造，演技拉跨…
20211013#平遥国际电影展#如果说这部影片是柬埔寨青年导演对贾樟柯电影的再地化的话，那么可惜只有形式而无内容。除了主人公们执念于那个“白色大厦”以外，其他再无可说———
整体风格确实有像贾导倾斜。这是好事，说明内地电影还是有东西在慢慢渗透，影响周边国家的影视圈的！
《韩国都市怪谈》导演洪基元，首部电影长片，呈现形式上实则依旧是10部短小精悍的短篇故事集。看作剧集的成功，令导演在本片的发挥上，有着更为惊人的表现力，和艺术思想成分的加成。除了猎奇、奇观化的视听呈现，高度类型化的叙事方式，部分短片虽良莠不齐，但看到了主创们的努力，在影片对现实的关照上，希冀有一些现实向的启发，虽然这个目标，从呈现结果倒退上来说，有些差强人意。但从影片完成度上来说，的确有被惊吓到。尤其类似于《衣柜》、《寄生虫》和《层间噪音》等，短片故事本身已经形成了一个单元完整性。PS：导演选角能力还是蛮出色的，男演员群体的颜值都很在线，代表了东亚审美的一种普遍趋势和潮流。韩国把潮流文化立于根本之国策上，不得不佩服这种年轻向、面向未来的国家格局。在吸引外资上，韩国文化产业也淌出了一条成功之路。
导演个人的成长体验，好喜欢在银幕上看到破败的街道和空间，生活在城市就是为了工作呀不然谁会不想生活在乡村安逸寂静的环境
导演个人的成长体验，好喜欢在银幕上看到破败的街道和空间，生活在城市就是为了工作呀不然谁会不想生活在乡村安逸寂静的环境
我觉得这勉勉强强算及格。十个故事全都有头无尾，高潮还没开始就结束了。倒是里面俊男靓女算是养眼可那演技除了吱哇乱叫也没啥了。这电影真丢韩国恐怖片的脸
奇观之下也没有半点波澜 贾樟柯亲自推荐加一分 鼓励加一分
绝对算不上新颖，所有的桥段都见过，剧情也一般。但随便看看害挺开心，以及，塑料模特真是我的恐怖谷。
“二手家具”首个镜头女主和沙发靓丽的配色非常舒适。以及后面夜拍橙黄与蓝色系的打光很协调。躲去卫生间那里看到了《闪灵》的影子
看的我打哈欠，看到衣柜那里就关了，希望后面没有什么好看的东西，真的太无聊，而且都不符合逻辑，隧道算正常，红衣服故事不完整，寄生虫那医生碰到这种事情谁他妈还去帮那人做啊，招魂那个莫名其妙，你俩是拉拉也行，关键并不是，怕人说闲话故意疏远的那种，这种还要去招魂简直找死，层间噪音这个更无语，敲个门板敲出爱情了。不看了还是睡觉吧，有时间去b站看邓肯的怪谈比这香。
隧道锤击女，霸凌遇红衣，铁线虫入侵，双生招魂记，隔墙异空间，衣柜藏变态，新丁配冥婚，怨念化鬼镜，人偶傀儡师，密室冚家铲。
8：美妆博主
很像男团女团参加恐怖主题综艺时候的小短片。 下饭，给三星。
《韩国都市怪谈》还可以，怎么到了《首尔怪谈》这么又臭又长！
没头没尾的几个小故事，和《咒》一起看的，高下立判
不太看鬼片，觉得挺好看的，主要都长得太好看了
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