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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
越是这种返璞归真的内容越能体会出可贵的平视姿态，以及主演们无可挑剔的演技……尤其是内野圣阳，霓虹真男人代表好吧，典型昭和硬汉帅哥，但不论是家康还是贤儿真的信手拈来，影片里带墨镜餐厅里亮相那一段我都看傻了，不禁又回想起了剧版看了大半才惊觉他是家康的那个愚蠢的自己…而且个人角度看着也很开心啊，乙女攻真香
编导跟演员比起来稚嫩得多，配乐本身很好听，但和电影也没什么搭界。
建议分成四次观看，回到看剧的节奏就挺好，在没有啥戏剧冲突下，加上阳叔老爷们过度脑补撒娇，两小时看下来还是有点吃不消
两位化学反应太好了，很有性张力，好多细节太戳我了啊，拍得很美。前面节奏很好，但结尾太仓促了吧。又看了一部be。
you should have been there～
温馨又搞笑 京都的场景很眼熟想起了和飞飞一起去旅行的时候了 希望这个系列能一直拍下去
女主m好像火吻！两个都好有灵性！宗教，世俗不都是tm的一回事？挺现实的剧，好看！
宗教不是刺激的调味品，而是大山啊。前面都好，结尾太仓促。
喂！两个人能不能先各自回去把各自的老公现女友了结一下？太渣了好不好？
😍🥹温暖 我也想过这样的生活 平凡却不平凡 但美好
女二应该是跟着女一私奔了，但女一家里那个怎么办？
青少年的爱情电影容易拍得轻浮，多数角色不能说服观众他们的happily ever after。这就使得他们的海誓山盟像过家家的道具，他们的聚散离合不过是一次对成年生活的模拟。这部电影保留了青少年电影的青涩和单纯，但是借由信仰的差异把二人的爱情塑造得超越了年龄。Marike和Jaime跨越了宗教信仰的相互吸引拍得太真，Jaime以旁观者的姿态疏解Marike压抑的家庭生活，却是一步步沉沦，直到幸福与信条再无可能共存。克制和激情结合的背德感，真的是狠狠上头了
marike还是太纠结了，无法摆脱外部的束缚就不能直面自己内心 也无法真实地生活，做不到真实就会很累。jaime虽然失去了喜欢的人，但多少会更自洽
像是感情日趋消磨但努力维持的疲惫中年人。日式浮夸人际交往方式、对食物必喔伊细，凭惯性反应的机器人别谈感情。
表面大于实质，细节重于内容，在气氛、摄影上拿捏得死死的，而这样的故事感觉后面有些拖后腿，在没有很重要、很自信的情况下完全没有必要加上去，留下一声叹息反而会更好
喜欢两人之间试探的时候，张力拉满
最后十分钟也太狠了吧，看得我泪流成河，刚开始看就想到了违命，都是宗教背景下的禁忌之恋，困在原地的人满脸憔悴，逃离那里的人步履不停。
相比正片和2020特别版稍微平凡一些。依然是上佳之作。
在宗教和同性之爱的冲突上表达得并不够深刻。
演的实在快进去也看不下去，特别是二人同框。单独一个人还能看一点点。爱情片最怕两个主角无任何化学反应。用镜更是iphone水平……快进之下竟然还看到了bug和穿帮…这…
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