Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
片中的天狗电影剧情还挺凄美的，相爱但不能相守的两人在清水寺亲吻后诀别…新一和小兰也是在同样的位置亲吻，但还好是脸颊吻，希望两人有一个圆满的结局呀~要不然那么多年的糖都白磕了~
对应TV剧的6～10集，初遇大BOSS鬼舞辻无惨。
TV版6—10，大boss和鬼医生都出现啦
难道就是因为亲了那么一下就评分那么高，我还一直在等着舌吻呢。太无聊了这片儿，就是要把粉丝妥妥的等到老了。
整部片子的亮点就是这次打斗从各个角度展示了一下水之呼吸基本都有什么招数，该燃的地方也十分燃，而且是一次性看完全部，感觉上会比较连贯会更爽，属于重温性质的片子吧。
新兰冲啊！
【3星】额青山你，为了最后十分钟那一吻，硬编了前面几十分钟不明所以的低智推理也是难为你了啊，不说别的，就只是想在影片片尾加上一个人名（他还是原作），这么小的愿望都不肯被轻易实现，现在日本的财团都这么蛮横了吗，还是真就这么bug？
把 SP 联播进剧集里，还以为有其他可期待。
《正义联盟》又叫《孤儿联盟》，或者《神奇女侠与五个没妈的男孩》，为什么这么说？因为这版的《正义联盟》是关于一群破碎之人重新振作的故事，一如扎导与DC粉，他们都失去过所爱之人，但也都从悲伤里汲取力量，经历过黑暗依旧勇往直前，这也许就是英雄的含义。回到影片，开头紧接超人之死，在17分钟的背景介绍之后，才接到院线版开头，的确是全新的一部电影了，大量交代信息的片段，补全了原本支离破碎的故事，插科打诨少了，慢镜与音乐的配合构筑出扎克·施耐德一贯的史诗感。在神奇女侠和海王都已经出了单人电影的2021年，导演剪辑版《正义联盟》的出现，就显得恰到好处了。
看了电视动画版本，冲着新兰终于确立关系给5星！新兰CP，新一平次，小兰园子，喜欢看的人物互动都有，一本满足～
TV 分篇补标，因为最近刚好在重刷，就顺手标记了。
只要看一次还是会心动一次的定情之吻。让我将清水寺定为日本必去的景点。
哇哇哇哇～柯南和新一亲亲惹，虽然只是脸蛋。看了这么久的柯南，终于看见以新一的身份和小兰呆一整部剧惹！但是最后的kiss竟然没有亲到，真的吊观众胃口呀！这部剧电影真的还挺感慨的，日常的沟通真的挺重要的，还是不要冲动。最后！！！基德真的好帅啊！！！好想做他的妹妹哈哈哈哈哈哈哈！
补马！近年难得真情实感看柯南了呜呜呜，主线情节就是最无敌的！
推理破案已经不重要了，新兰CP狂撒狗粮才是看点。
故事其实挺一般的，情节老套，诱导过于刻意（前半段一直在暗示女演员是凶手，铺了一堆疑点，男主居然统统无视，后面也就不了了之了…），案件逻辑略扯，推理牵强，bug一堆（比如新一早就听到过出栗的名字，后面居然不记得了，啥时候那么健忘了…），细节也不太讲究…感觉豆瓣的9分虚高了…
这分数是cp粉刷的吧。
虽然推理和案件就那样，但是新兰有太多名场面了！
个人而言正统的热血日漫 剧情一眼望到头 但是制作精良有诚意 打架足够热血炫酷 这不就够了吗
剧情是真无聊，但我就想问，关西那个跟工藤长得一模一样的冲田，喜欢的是一个长得跟成年灰原一模一样的人，是在搞什么事情么？😆 SR党吃糖的时候都会有鱼刺...hahaha
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