The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
呜呜呜太酷了姐妹（题外话 不太懂那些电影都没看完的怎么好意思评价？
6分。前1个小时一直在想，我在看啥。后面kimi联动，热血2分钟。体会，1死宅家中常备射钉枪，2干掉几个人后你的社恐就好啦，因为不喜欢的都可以干掉啊。
I feel you Kimi…蓝色头发的确很难隐藏在人群中…
喜欢女主离开公寓的几场戏的不规则构图，带劲～
喜欢女主离开公寓的几场戏的不规则构图，带劲～
剧情简单略无聊，场景就一个（家），没有发人深省的思想内核，拍得很一般。
当然，当笨贼不因媒介和女性主题而笨时，也有其他笨的方式；当女性借助主题而强，其合理性也被帅气的反杀提升。
新时代新冠疫情下强迫社恐人士因为人工智能信息安全保护女性权益之《后窗》，前奏冗长，镜头重复，几乎只爽在最后10分钟。（ps女主的家看着好舒适
疫情下被无限放大的社恐、焦虑症、偷窥癖，人工智能带来的正负面。导演想讲的东西很多，却每个都毫无新意，即使走向荒诞讽刺也让人提不起太多兴趣。
nail gun真好用！看完想自己买一把
太西雅图了，根据地铁站女主角大概住Chinatown附近
后窗加对话，索德伯格努力跟随时代步伐同时致敬前辈的个人风格悬疑
偷窥狂
这是某种毒品所达到的效果，可以称之为奇幻警匪片，因为没什么科学道理嘛。
后窗，姐妹情仇，窃听大阴谋，等到天黑。”……其实拍的并不好
太拖沓了，也就是个短片的体量，华点只有最后10分钟
确实不是大制作的片子，不过剧本很好，节奏感也很好
还好吧，就是最后女主用身钉枪杀了三个有点转变太大了
估计是因为个人原因，感觉人设存在巨大不适感，故事发展的整个过程极其憋屈。
很疫情關懷，plus data + privacy + metoo.
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