这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
高阶版《内在美》，还是可以的。看新的《黑客帝国》前的一点调剂哈哈哈
不断魂穿在一个贩毒加警察内鬼的案件中各个人的男主，无论在怎样都在拯救女主，动作爽片，最后一场戏有点john wick孤胆英雄的味道。
题材真的很棒，但是男主真的是不太聪明的样子，他的职业与他的脑子和身手不太匹配。男主好友死的好惨，男主属于间接害死好友吧，愚忠不动脑的原因。女主演技还可以，但是让人很出戏，感觉很违和，尤其是一直理安xi，理安xi的，真的太违和了。
电影的创意很不错，但逻辑就不能较真了，较真的话电影就不好看了。
【Prime】如果和同题材的摇滚芭比比，简直一个天上一个地下。本片冲突设计过于突兀刻意，对于drag身份的表现十分肤浅，jamie所经历的挫折更是浅尝辄止，一切大和谐。但正如本片中所说，过往的drag是warrior，过往的那些电影也是warrior，而现在的（本片）观众恐怕是更适合接受这种“show off”“get fame”的轻松表现，毕竟时代不同了，现在come out两次都并不新鲜。不过毕竟有真人真事和音乐剧打底，而卡司的相对路人化没有喧宾夺主，这就比netflix的prom要好处很多了。一旦接受设定之后并不出戏，也算是难能可贵了。
全剧透#讲的就是一个人灵魂出窍附在了很多人身上 这个【很多人】同一个目标都是去救
非常有趣的设定，可惜拍的没有那么好，白瞎这么优秀的设定，开篇部分充满惊喜，越解释越邪乎！核心是爱情片，表达的是男主别人盗号来救女主，至于科不科学那都不重要了，动作戏份非常认真了，整体也比较工整！
题材不错，只是导演没有完全表达出题材的特色。拍摄手法有点混乱。
过年后的第一部韩影，后半部分燃炸了，灵魂穿越，韩国电影又拍出了新花样，另外除了女主各个演技都吊炸天！
整体节奏相当不错，一顿换脸，最后大爆发，顶级杀手的近距离狙杀
唯一切换了各种人身后然后也没什么表现。就不知道多此一举能怎样
@ Prime hmm 我有几年没有follow新音乐剧了，听过原卡的专辑，但是没太多印象。这个剧情真的蛮cliché的，看了开头都能猜到后面会发生什么的节奏…Sheffield的口音有些有趣。看评论，删了好些歌啊。同类型题材的，我喜欢Kinky Boots多一点。这两年好些改电影的音乐剧，等着看周末的DEH吧。
就是说很平很旧很无趣，当看到为了爸跟妈翻脸时，整一个大无语，什么狗屁剧情啊😅实在看不下去
Be yourself , forever young.
大兄弟，想救老婆的话直接魂穿她就好了啊，直接省了这100多分钟的戏……
一般吧……如果男主的灵魂每次进入别人的身体里，都是那个人在演可能会好看一些
有那么一会儿剧本好吸引人，女主也好飒。但还有提升空间呢
不无聊，但是也没啥出彩的地方，普普通通，规规矩矩，看过就算了
虽然有点乱，但是这么拍想法真是不错。忽略主角更好，没必要非要换那么多次脸
我好俗氣……傑米和迪恩太配了，對手戲不多但是好有感覺，最後靠在柱子上那一小段別把我萌死，就是很俗套想看他倆談戀愛。最好聽是雨果那首歌
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