Rose, a sweet, small town driving instructor, is gifted with supernatural abilities, "The Talents", which mean she can talk to the spirit world. Rose has a love hate relationship with her abilities, after seeing what they did to her Dad, Vincent, and tries to ignore the constant small-time spiritual requests from locals - haunted rubbish bins, tractors, children's bikes, frying pans etc, etc. Yet when her help is requested by Sarah, a teenager whose father, Martin, is being haunted by his deceased nagging wife, she is very tempted...Martin seems like a very nice man! Meanwhile, in a large castle outside town, Christian Winter, a washed up rock star, has a sinister plan to sell his soul for renewed success. He needs to sacrifice a virgin and puts a spell on Sarah, leaving her in a levitating catatonic state. Martin, bewildered, asks Rose to help him save his daughter. Martin and Rose set about trying to break the spell which requires the speedy exorcism of many ghosts before the spell ...
最後一鏡比群鳥恐怖😟“Delbonnel的挑戰”😇
我们所有的昨天，不过是替愚人们照亮了通往死亡土壤的去路，熄灭吧，熄灭吧，短促的烛光，人生不过是一个行走的影子，一个舞台上指手画脚的拙劣伶人。
在欧洲的传统叙事中总喜欢插入一则带有宿命论的神谕。
that struts and frets his hour upon the stage，
确实拍的很好 但不是我杯茶 评分是个人喜好度不代表质量
没觉得有什么大的突兀 其实反映出水平的相当不错了
3+
刚好和前阵子的罗南的话剧版本作对比，显然话剧版为罗南做了很多的改编，加了不少戏份，电影版在奇幻的改编上加了很多力度。打光真是一绝，线条也是极简，视觉上非常舒服。但是麦克多蒙德的戏份也太少了哇！真的，恶女还得是由老戏骨来演，才能有那种味道
视觉设计上的独树一格，戏剧情节上的昏昏欲睡。
建筑设计很有意思，新古典主义美学在光影中被推向极致。行善只需要跟随内心的声音即可，而作恶却需要很强大。
纯粹在我审美范围内的作品，绝美cinematography
然后...是我格局不够…
《麦克黑的悲剧》讲了什么？话语权威的篡夺者注定被群体意志砍头，表面上选角试图在矫正种族歧视，实则恶意满满。
科恩怎么搞第七封印那套，但是里面有的现代有的古典很违和啊！
属于颁奖季特供了，有点<第七封印>的影子，不过也就看表演、视听和导演风格，故事真的没什么意思了。
高级的复古，舞台感十足，却不那么吸引人..
远不如1971年的波兰斯基版，甚至不如2015版。科恩也有翻车时。
麦克白的故事改编的太中规中矩了，但是电影美学但是做到了极致，古典美的氛围拉满了，好像看一部伯格曼时期的看电影。
戏剧改编的优秀范本，一方面抓住戏剧精髓，一方面实现电影自觉。视听语言的震撼，使得该片完全不逊色于舞台现场。
开头从浓雾中走来的麦克白，结尾处遮天蔽日的群鸦，以及荒野女巫，分别从我这里获得一颗星。
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