Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
年代感一般。传奇色彩很浓。电影的最大价值在于不用把背景放到民国或者泰国之类。但国产片最大悲哀是当下的背景不能有所谓负面的东西，就好像最近要在电视剧里写一个乞丐（还不出镜）都不被允许，是说“抹黑我们的城市”，原本是给乞丐送快餐反映正能量的，最后乞丐被换成是清洁工，真是讽刺。
本爱狗人士表示很喜欢这个故事，好正能量的童话。（为什么学校的漂亮女孩总是这么mean，这是刻板印象么…）
根据儿童读物改编的电影，电影化以后，更像是一个都市童话故事，里面有魔法，也有坏人，但更多的是儿童的童真！
挺欢乐的电影，没有丑化亚裔。Clifford真可爱，爱可以使一切变得强大。
很喜欢电影结束后的漫画。看这种片子本来就不是抱着”深度“和“成熟”的。片中红狗的很多表情和动作都和自家狗子一模一样。那种纯真的眼神和对爱和自由的向往，让成年人也能共鸣和温暖一阵子就足够了。
自愿吃的才叫吃苦，是你放弃诱惑的克制，而不是无奈的生活打压，为了讨生活
很适合小孩子看，虽然“我们不一样”但是也值得被平等对待。成人看可能会觉得故事太简单了，而且也有一些魔法奇幻的成分。
药不然一张欠干的脸…把真的藏到假的里面，那万一日本人不还回来岂不真成了汉奸…探秘历险总体流畅、相对过瘾
作为一部寻宝片，文戏差一点都行，但必须把逻辑讲圆。中途有一些小BUG我都不提了，但是真佛头在里面，不就坐实了汉奸吗。。。而且，猪脚他老爸出门躲了一辈子图个啥。。。
这种片子，适合跟孩子一起看。如果换个结局，可以变成弱化版的《猩球崛起》
非常zzzq一部片，剧情也很简单，但是拍的太可爱咯。
本来想给三星但是散场的时候前面的小孩给他爸说this is the best movie 加一星吧
这种片子，适合跟孩子一起看。如果换个结局，可以变成弱化版的《猩球崛起》
狗狗很可爱，比较适合小朋友看
2022了我需要这样温情的片子。天真无邪，一尘不染。大团圆结局，还有可爱的生化狗狗。哈哈哈哈哈哈。叔叔蛮可爱的。我竟然中间有几次差点哭真是老了。
简单、温暖、美好的童话，谁不想要一只大大的、红色的、毛茸茸的狗狗呢😍片尾的画稿值一颗星
大红狗的概念并没有做出特点，剧作属于上个世纪的文本，完全没有新意，也许小孩子看会更喜欢一些吧。
挺可爱的 画面明亮 就是10岁以上看会觉得有点幼稚（PS：做土豪真好
陪女儿一起看的。因为女儿小时候我们一直给她读大红狗的书，所以比较有感觉。但是改编了很多情节，跟书很不一样。然后可能是给小孩看的电影，那些大人的表演方式都好戏剧化啊，如果是动画片这样的夸张就不会奇怪，真人这么演还是太奇怪。
还是很喜欢的，所以大红狗的原型是拉拉吗？真是可爱。
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