The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
整体来说很不错,我很喜欢,但不认为适合所有人,大多围绕美国,切笑点也比较美式,玩梗的方式不一定谁都理解。
你在2021年学到了什么?那就是在2020年我们什么都没有学到。
...Prince woke + the duchess of me-me-me..
Learned nothing from 2021
脱口秀拍成伪纪录片是这样的,片子里就没有几个正常人,典型的美式黑色幽默
笑吐了,结合don't look up 一起看真的让我窒息
用力过猛了,前半段会觉得辛辣有力,借用某电影的高赞,叫“用戏谑来戏谑戏谑”,后面看着看着便感到乏味了。
但是说真的,网飞的讽刺不过是因为讽刺可以赚钱
有点无聊,但也不是看不下去的那种。老美的关注点跟中国人确实不太一样……
I love annual review and Lucy Liu.
2021年学到的教训就是,我们没有从2020年学到任何教训。
开始笑到拍腿,后面越来越不是滋味。说是伪纪录片,太多荒诞的现实和苦难让这一年变得过于艰难了。我们本不该如此,本不必如此。
就像这伪纪录片,疫情笼罩下的日子浑浑噩噩,真假虚实亦难辨。又是一年,我们好像真的戏里戏外都被边缘化了啊…
6. COP president Alok Sharma openly weeps, only adding to already dangerous sea levels
对奥斯卡颁奖礼之类的文化现象的吐槽特别疲软无力。
爱具体的人,要有独立思考。
算是一个头条快速复习吧…还是蛮好笑的哎……
已经成为另一种类型的常驻贺岁片了。还是一如既往的套路:伪纪录片的模式,浅显直白的讽刺,荒诞卖丑的受访者,一年各类泛美流行事件的回顾。但比起前作,2021后疫情时代下的美国似乎已经更加疯狂,此情此景和《不要抬头》恰巧形成了互文:娱乐至死的个体、撕裂的社会。
1、讽刺力度比2020去死差很多;
2022观影第一部,比较全面的年终总结。语速飞快,台词量密集到爆炸,根本跟不上节奏,短短60分钟我暂停了几十次
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