The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
改编得已经很出色了,把主人公狱中和船上的两段经历交织得很精彩。但是结尾,还是原著更有张力。
being touched,only books、spirit、integrity could be the forever company.
虽然剧情上有所改动,但很好地继承了小说的内核。人在黑暗的时代必须构筑各种各样精神的庇护所,把小小的自己缩进去。然而如果可能的话,谁不想在奥地利跳舞呢?
这种小确幸的低级趣味,有一点点击中我的软肋了。他人即地狱?他人即鱼肉。
两夫妻让人很迷惑,该杀的一个都不杀,急得其中好几个素食者主动送上门来。PS:热评说这片在美国绝对拍不出来,我还特意查了下《返生餐单》是不是美国的。
在诚挚的反思过后,一切似乎又来的不甚解渴…
这部电影讲故事手法比较新颖,让人感受很深的是极端思想的厉害性,做人还是平和的好啊!
疫情后难得有节奏这么好的爆米花喜剧片了。看的那版“黄秋生”字幕非常不错。
前半小时很生动很法兰西,后半程高度类型化后有点泄气
弃局而退或是真正意义上的胜利。
22-02-05 19:00 @戀愛電影館
弃局而退或是真正意义上的胜利。
女主属实变态啊怎么落网的没看懂…
大部份很有趣,黑色幽默,很讽刺,比起网络骂战,现实站队,把这拍出来多有趣,里面好多梗,好多歧视,电影框架虽然简单但可以,虽然无厘头但在剧情里有依据,埋了不少伏笔,但后期走向怪怪的,既不艺术,又不恐怖,作为一个不惧怕血腥片的,看完有点生理反胃
冷门法国搞笑片,调皮的字幕组疯狂玩八仙饭店的梗。极端素食主义者一本正经的胡说八道也营造出了戏剧感。话说吃着炸鸡看这片还挺应景
肉食者与素食者,当前者成为了后者的消费者,狩猎串联起了一出关于信仰、欲望、人性的荒诞小品。
改编挺大。小说主角半场之后才出现,电影一开始就卯准了。茨威格的小说大量心理描写,用镜头语言就是B博士的幻觉。
素食 环保 都陆续跌下神坛,下一个会是谁呢?
好好看哦,一路嘲讽政治正确,台词幽默细节到位!真好!
反流行,没有政治正确,可惜后半程无力且结尾仓促。
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