A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
剧情跟上一部一样套路，主角与反派追寻争夺象征力量的宝石，最后正义战胜邪恶，索尼克收获友谊，蛋头博士被击败。
我小时候超喜欢刺猬索尼克的
比起第一部来说似乎没有那么子供向，可能是所谓“we are伐木累”的人类和卡通人物互动部分较少，而是回归到了外星刺猬的命题和单纯人类情感的捕捉。于是在近期看了许多失望续集下，很惊喜这部更加拓宽世界观的升级作。票房上的记录一定会延续毕竟有的票仓还没开放，自然而然产生的“宇宙/续集/衍生”也足够让人期待。
剪辑和特效有几个段落比较粗糙，情节也缺乏新意。但也仍然讲述了一个幽默风趣的冒险故事，尤其是两个高人气角色塔尔斯和纳克鲁斯的加盟，让这一部有了更多看点。
尽管我已经忘记上一部的故事以及麦斯登的角色叫什么名字了，但这部意外地“就还好”，也许是因为有Morbius“珠玉在前”和几个还算戳我的烂梗。PS下一部终于能看到我最喜欢的角色了
官方很贴心 只需要看结尾2分钟像素和1分钟彩蛋就可以了 不是吗
合家欢。纳克鲁斯和塔尔斯都登场了，红黄蓝三色毛茸茸站一起对战蛋头博士巨大机器人的一幕还是很热血的，塔尔斯真的好有索尼克的CP感哦。金凯瑞真要息影吗？全剧还是穿插了许多时下的彩蛋，大红狗克里弗、冬兵、巨石强森vs范迪塞尔、捉鬼敢死队之类的……人类戏份再少点就好啦。
最起码剧情前因后果可以交待清楚。（这居然也成了现在电影的优点）
索尼克都成超级赛亚人了，美国人是真爱龙珠啊
第一部挣钱了就出续集，延续前作四平八稳的创作套路。依旧子供向，抢来抢去的麦高芬，化敌为友加上主角光环，依然金凯瑞。
外星动物超级英雄联盟，继续上一部的低幼与欢乐，一开头就预知到结局了。╮(╯▽╰)╭
8分。看哭了吴孟达状态好，完全看不出生病，敬业。网大顶流，剧本不错，演员不讨厌，歌好听，特效还行只要不是乱拍，大家都愿意至尊宝紫霞的缘分继续。拍摄地还是我们熟悉的镇北堡影城，前年去过全是回忆。缺点是道具敷衍了点，抢亲的蔬菜摊是塑料的，结尾紫霞的衣服后面领标还在…
3.5/5 完全展現了續集電影該有的樣子，元素更為豐富、笑料更為密集、致敬的東西滿坑滿谷，但同時也有點用力過猛，導致節奏失衡。喜劇元素更多更用力，片長會拉長到2小時很大一部分是編導這次加了不少喜劇段子，但這些段子有些沒必要，過長顯的不像在看音速小子，而是在看黑人主演的美式喜劇片。續集有納克魯斯和狐狸加入，從2年前就開始期待了，索尼克和納克魯斯幹架真活像美國隊長和酷寒戰士在幹架，電影整體非常美式超級英雄片價值觀，最後也不忘跟Family致敬，甚至也跟隔壁即將上映的失落之城做題材連動，其實續集副標是真的可以叫失落之城，尋寶元素極重，金凱瑞放飛自我的顏藝與肢體演出配蛋頭先生無違和，他就靠這角色演到70歲吧！期待下集音速小子X登場，黑色音速小子總算要出來了。
一想到这很有可能是金·凯瑞的谢幕之作了就很难受
“因为那个头脑简单四肢发达的蠢货，是我们取得非凡成就的关键。”
5分。仅仅两年，我就忘记第一部讲啥了，也许不全是我的问题。这一集新增加了两个索尼克的同类，一个智慧小黄可以飞，他是索尼克的小帮手，一个力量小红很暴躁，他是索尼克的对手，然后续集就可以继续展开了。不过小红并不是索尼克的真正对手，他只是被仇恨蒙蔽了双眼，并且被蛋头博士利用，蛋头博士才是最大的对手。不过，蛋头博士智商也不太高的样子，拿到终极力量之后，居然合成了一个笨兮兮的机甲战士，看来也是被中二病害得不轻。也许这片的观影受众本就不是成人，我都能猜到小朋友会很喜欢。
没有过度模仿经典，也没有无下限恶搞，能看得出来导演很克制的表达，在延续老版悲剧内核的基础上，加入了新的爱情观，确实可以的。
jim carrey真是绝了 “piece of shitake”
用最多的钱最好的技术做最烂的产品，当然，祝金凯瑞身体健康，多挣钱。
Tails真的好可爱！！！金凯瑞太多贱贱的台词了，软饼干backstage pass 23333
Copyright © 2015-2023 All Rights Reserved
