Max is a real jerk. A long time ago, the successful lawyer had turned over all the routine duties of family life to his wife Nathalie.His comfort and leisure time were a far greater priority. Sell the roadster and buy an efficient family car? No way!But then, Max’s fast-paced life suddenly screeches to a halt when Nathalie is hospitalized for several weeks with a complicated fracture.Alone with their two children and the dog he hates, Max quickly reaches the boiling point.As if having to play father was not bad enough, he is shocked to the core when he discovers passionate love letters written to his wife and signed “From G. in love”. Feeling that his life is slipping out of control, Max’s first impulse is to find out who his rival is. Then it dawns on him – could the way he has treated his wife be the reason why she has sought out another lover?Now Max attempts to see his situation from a different point of view. Last week he was ready to plan the yearly guys’ vacation he takes with his best buddy, but now things have changed.Max recognizes just how much he needs Nathalie’s humor, her organizing talent and her optimism, but also just how important to him she and his family really are. Max tries to discover the mysterious lover’s identity, but because of his new insight, he takes an additional step.Unfortunately, when he learns that the mystery man is Gregor, Max realizes that not only does the man have all those qualities - he is very attractive as well. His struggle to become a better husband and father suddenly becomes far more difficult.Hoping to knock Gregor out of the picture and get back in Nathalie’s good graces, Max makes an appointment with a successful life coach. But turning his life around is far more difficult than he had imagined.To make matters worse, Gregor turns out to be a loving, family-oriented man just what Nathalie needs. Max is desperate – he knows there is a real chance that he might lose Nathalie and the children.Willing to put everything on the line to keep his family intact, Max makes the biggest sacrifice of his life. Then something happens that is the very last thing he could have ever counted on…
同样是开头伴随的，还有从始至终的对男性的讽刺（挺狠的），将女性当作工具，言语的践踏和行为的侵犯，都交织在一起汇聚为影片主题表达的重要元素：女性处境与女性觉醒
很失望。作为一个特立独行的个性导演，用无比保守的手段去拍真的很无聊。随着音乐进入色彩斑驳的60年代让人眼前一亮，但花里胡哨的光影和调度却没有跳出视角局限的那一些，只有躯壳的人物又怎能承载年代的光影记忆，只沦为那些繁琐倒退的政治正确的附庸。赖特本来就不是大家子气的导演，他对60年代的喜好可以溢出屏幕，但却无法跳出舒适区真正得呈现完整那个年代的精华，甚至连那些最为人称道的小聪明也不用了。这部影片的出现更能显出昆汀《好莱坞往事》的可贵！
关于夜总会门口海报的事情，据说导演听了好朋友昆丁.塔伦蒂诺的建议，换成了现在这个。看到这个名字，我就大大的感叹为什么昆丁.塔伦蒂诺能成为大师，首先他不墨迹，光这一点就甩很多人几条街不止。其次，他对度的把握，对氛围的拿捏，有非常人之处。 感叹完，再看此片，故事本身是不错的，愣是被拍成了个哗众取宠。摇头。
无聊啊，赖特并没能在这一类型片中完美展现自己的风格，两个女主角在镜子中的切换也很混乱，毫无观感。
有盆栽反正就直接吹爆;其实原本可以做成更具社会性的主题的,当然现在这个也很不错
太好看了呜呜呜，反转又反转我爱了。安雅真的好有魅力啊。情节让我想起了一个记者的照片，拍到了战场上的医生救死扶伤但没拍到有人用枪指着医生
前半段很好，风格够足，中间部分全垮了，还好反转救场
挺特别的。错位重合，视觉感很奇妙。有些桥段，欢快乐曲配紧张氛围，反差美。
音乐太太太加分了！导演擅长的复古风，一口气看下来喜欢~
第一幕拍的最好，镜像的使用加上霓虹灯和夜伦敦，给我一种《午夜巴黎》既视感。第二幕逐渐疯狂，视角产生疲劳，女主不疯我都要疯了。第三幕强行happy ending，老警察死的荒谬，女主家族通灵能力反而表现得过于隐晦。
一部女性角色塑造很problematic的普通心理恐怖片，不过大家还是对白人男性导演有太多幻想了，像我一样没有任何期待就好（。）
前面镜像附身部分拍得很赞，后面女主神经质的表演让人厌烦。
21年这些现代铅黄片子已经看麻了，能不能整点新活？
珊迪真的好有魅力啊，我的天啊，简直巨星气质，太杀我了，那么婊又那么飒，好爱。
太赞了genre大片 比titane更高更圆满 视觉满分 too close to home 感觉lana del rey应该看看这片子哈哈哈low key讽刺很多想要活在60s的女孩们
视听俱佳，但叙事土的让人想喊救命。全员提线木偶，结局大可不必。
年度悬疑片最大惊喜，流行与复古并行的双重华丽视觉特效，引人入胜的悬疑设置，虽然最后片尾的凶手的反转与。女主事业的成功，让剧情多少沦为败笔，但整体瑕不掩瑜吧，三星半。
這種嘗試還是不錯的，把文藝小清新和驚悚懸疑兩種風格融合了，但是融合得並不算好。而最重要的問題是這兩部分的觀衆品味上大致是很難重合的，因此前半段越討人喜歡，後半段就越會讓人嫌棄，感覺不知究竟看了個什麽。而導演的立意也非常飄移，前1/3似在懷舊，中段又開始揭露華麗表象下的陰暗，然而到了最後又變成了女主反殺，男性鬼魂在求救。所以究竟這是想怎樣呢？兩位女演員是全片最大的亮點，簡直美翻了，但是那位黑人的嘴巴真有點難看。
本片的水准随着剧情的开展分崩离析、一落千丈，尤其结尾的画蛇添足更是将本片格局拉低了几个档次，幸而极为显著的优点来救场〈成功的选角、极致的试听、以及前半段的创意〉，加一星。
前半段想说还挺逗比的，后半段属实给吓到了😱🤪
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