Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
不知道你的敌人在哪，反正就是不快乐...
无论是题材背景还是色彩节奏都挺复古。一度让我认为这就是二十年前的片子。新冠下看SARS背景的台干，移民回流，两岸同胞差的只是时间。
枕刀歌尘世行做的很纯粹，很中国风的武侠故事，招招见真章，看得出制作组是做了很多准备的，武打的招式做的很写实，人物建模也有江湖儿女的粗犷气质，算是近几年比较特别的国漫作品，整部电影100分钟，篇幅和故事节奏都掌控的很不错，期待以后能在大银幕看到，品质再打磨一下完全不输院线电影的，虽然看下来故事线是比较单薄，但是团队还是放了很多巧思进去的，比如西门仁这个角色，就是很值得探讨的，值得一看。
看的是真过瘾，文戏一刻钟，打戏一小时，建议找个好编剧，好导演，把故事好好讲。
枕刀歌13=特别篇上：时间（当年的真相。“千历三十八年”，那就是万历年间呗，时空背景明确了。）
就是干，动作场面毫不拖泥带水，依旧精彩，串起剧版的那个江湖世界还是不错的。
打戏真的天花板，剧情薄弱了，亮点全在打戏，但是太密集也有点审美疲劳。
怎么那么蠢？毫无逻辑的剧情，莫名其妙的对白，单薄可笑的人设。画工，打斗也是下品。
看完又是恐育的一天，一家人有话不能好好说么……
枕刀歌13=特别篇上：时间（当年的真相。“千历三十八年”，那就是万历年间呗，时空背景明确了。）
虽然这是压抑纠结的一百分钟，但我真的很喜欢，那个在困境里成长的《美国女孩》。
给马套缰时马挣扎的样子让方仪终于看到了自己。最喜欢这场戏。小女孩演得真动人。
武侠版《疾速特攻》的感觉，又有点想起游戏《师父》
没想到一部动画电影 让我找回了小时候 看武侠电影的那种久违了很久很久的心潮澎湃
打戏第一，这一部在情节上又丰满了一些，对话也很有深意，让观众自己去体会各自的立场。
还是有点“小家子气”了，和剧版一样，只在乎作者个人意志的表达，电影不是文学。三星半
又一部台湾电影，也是普通的家庭生活，很压抑却感觉如此真实
真的有侠气，还有王朝凋敝的困苦，动作戏就不多吹了。夜宿破庙拍出了走投无路，几次杀人拍出了忍无可忍。敢让主角杀人还是挺佩服的，是动画的审查比真人电影要松一点吗？
故事不复杂，也算不上什么新颖，但这武戏属实让我开眼了。
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