Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
在有生之年真的是看一部少一部，希望老爷子能一直健康长寿！
这片子告诉你 没事多走走 在路上 总会碰见什么的
91岁，老了，温和了（嘴炮骂人怎么更利索了呢），但却依旧拥有漂亮女人。羡慕老爷子的坦诚。
看得出来东木老爷是真的老了 表演有点力不从心的感觉 但 还能看到老爷子在演戏 那就足够了 不是么
一老一小的路子 最近不太灵光了 老爷子该歇歇了
牛仔帽，公路，夕阳，老爷车，浪漫邂逅，还是我心目中的东木，剧本已经不重要了，感觉到了就很满足，老爷子撑住啊，我还想再看十部
“老兵永不死，只是渐凋零”
平淡無奇，簡潔直接，但結尾有點感動。東木爺子此等精力令我敬佩，有些許幾個鏡頭很有感覺，但估計是因為老爺子體力不如以往，沒時間雕琢。他現在就是想多拍。多一部就是賺，拍下去！此外，還有一些台詞；結合老爺子年輕時的精力；對過往是有反思的。
I was a lot of things, I’m not now.如果可以 请继续拍下去。
期待什么？老爷车的牺牲？哀歌的碗？
需要矛盾与冲突的地方都可以猜出来，每一个铺陈之后都没什么意外。不过，还是佩服东木大爷。
沒想像中的差，但總還是希望東木爺繼續拍下去，就算只是這種簡單的小品也行...
东木老矣，91岁的高龄抬着颤抖的双手，迈着蹒跚的脚步支撑起摇晃的身躯，完成了一部老男人的YY片，很不容易了！同龄人中能活着不尿床的也没几个啦~~鼓励一下啦，老爷子消停点啦
东木老爷爷，棒棒哒！！硬汉的晚年，还是很硬，但也有老房子着火的时候，会给小动物看病，真是积德的好事啊，积来了好运气。哈哈哈，据说91的老爷爷了，抱着小公鸡回去找女朋友了，棒！！！
关于“自身”重现的一切，反复演绎的永远听不腻的故事的重述
牛仔不死，只是逐渐凋零…东木再也无法像曾经那样一人一枪大杀四方了…
基本上是轻喜剧版的骡子，东木大爷拍这部已经完全是一种老小孩的状态了，轻松诙谐，拍电影这件事对于已经90多岁的人来说已经是一个传奇了，老牛仔风姿仍存.
真的挺佩服老牛仔的，91岁高龄还在自导自演，故事还算有趣，不会很闷
这部看得百感交集，哀叹老爷子的老去，更惊叹老爷子的一切。上一部他导和演的《骡子》，比这部要好看得很多，而之后的《理查德朱维尔的哀歌》更是让人跪服。不管老爷子是心有余而力不足还是刻意为之，我觉得都可以理解。毕竟这是你能看到的屈指可数的90岁以上高龄的导演和演员的作品了。好好珍惜吧，可以的话我希望老爷子能导和演到一百岁。
廉颇老矣 英雄迟暮
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