Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
碎片化的主线和过长的时长让这一部乏善可陈。
格林德沃会死，邓布利多会死，伏地魔永垂不朽。
槽点太多，不知道从哪儿喷，除了卖萌和卖腐外一无所有的电影工业垃圾。合着憋了这么多年的大招“邓布利多之谜”就是“我妹是默默然”，原著党六年前第一次看到默默然的设定就想到阿利安娜了。大卫·叶茨他一拍电影的，懂个锤子的哈利波特。
《马达加斯加》精神续作，土澳旅游宣传片，多处悉尼的彩蛋充满了惊喜。好片推荐，适合带娃观看。
视觉效果还是挺好的，片名可以改成《邓布利多的弟弟的隐私》
好可爱的小蛇，配上bad guy bg，逗死了
你心跳的声音，这糖浓度太高了！有点公路悬疑的味道，不过没那么差，任何一个合格哈迷都能在椅子上尖叫n次，拿好魔杖！去看IMAX！别被剧透！
《马达加斯加》精神续作，土澳旅游宣传片，多处悉尼的彩蛋充满了惊喜。好片推荐，适合带娃观看。
勉强打三🌟，总体大失所望，平淡冗长拖沓乏味，剧作薄弱，算是三部中最无聊的一部，唯一欣慰的是特效挺有看头。疑问一，主角到底是神奇动物还是纽特还是邓布利多？疑问二，所以邓布利多的谜到底是什么？阿布思和格林沃德的爱恨情仇在第二部已经讲过，不存在谜；影片提及的邓布利多家族的信息也无法构成“谜”。所以到底是什么谜？
可爱死了!!逃亡配bad guy，好喜欢那条漂亮🐍，特Aussie，好多梗，口音绝绝子
也就比银河补习班好点，数学的概念有，但不够突出。大一统的挣扎+校园黑幕剧情失调。兹山鱼谱是更好的例子。
不带任何期待来看，依然难看得要命，没有一丁点值得观赏的部分，可能唯一能提的就是特效挺好的。老男同互动就像有一双无形的手按住我的后脑勺逼我嗑，太难嗑了。有很多场景都很尴尬到底是怎么办到的。剧本水得离谱，信息量少得用我的无语填补它的空白都能比现在的成品丰满。克雷登斯有几个角度看起来好像高桥一生啊这是为什么。
哈利波特这个系列，这个魔法世界，越看越接近了我们所处的这个真实世界，这一部堪称特征之最，也许是这个原因大家都厌烦了
请把主角还给纽特，忒休斯和神奇动物。
而不是老大叔深情搞基
全片都是以一种儿童文学的梗去编织正传故事，可以用更放松的心情去看。优点是故事完整；政治阴谋到几段感情羁绊都有始有终；几场大特效都非常好，尤其是魔杖战斗，是我见过制作最精良的；洞窟趣味性十足，回到了密室的记忆中；巷战用霍格沃兹的东西也很亲切。缺点是关键剧情儿戏化，反视计划、黑人卧底、巷战换包、夺权失败，都跟闹着玩似的
小朋友看會比較喜歡, 標準可愛溫馨帶教育意義的卡通
数学是真的有意思
挺好看的 里面的插曲都好好听 尤其是麦迪唱的那首 太美了 “我丑 你也丑 大家都该这么丑 丑是美的新潮流” 现在审美真的应该多元化 美不是单一的 自信才是最美的！！！
看起来很单纯。每个人物都性格鲜明。像孩子一样天真可爱。
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