Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
喜欢这个导演 真的是玩梗高手 尤其黄段子敢玩却不低级 喜剧滑稽还是看得法国 巴黎圣母院的梗真的是哈哈哈｜д•´)!!
很多桥段挺老套的，打不了nba还是可以来cba么，有这一身本事到哪不是挣钱……詹姆斯出品，所以一堆大腕客串
可以感受到主创团队真的每一秒都有在认真搞笑，梗太密集了，虽然好不好笑因人而异，但比较难得的是剧情也很完整，动作戏也很认真。
老詹担任制片的套路式篮球励志片，
就好好睡觉！
法式幽默+法式恋爱，处处隐含了小心机，比如假面舞会回忆一个是迈克尔杰克逊，一个是小男孩，然后相爱了。#20220622
违本性假正经 看着都累
各种超级英雄配乐和画面梗，这不比奇异博士2更香？
蝙蝠侠，小丑，蜘蛛侠，美国队长，女绿巨人，钢铁侠，雷神，金刚狼，教授。。。联袂出演，把我眼泪都笑出来了哈哈哈哈哈哈哈
中规中矩的影片，无功无过，无槽点亦无亮点。
不认识那些客串的球星，但是喜欢adam sanders
亚当桑德勒写给NBA的情书。电影瑕疵很多，但真心一片，诚意满满。以及绿凯竟然吃了个饼，这波总决之前的宣传可以有
从DC到漫威，超级英雄被恶搞的体无完肤，笑点烘托的很到位，全程我尿点，着实惊艳到我了
剧情流俗平庸到难以置信，所有冲突和转折闭着眼可以预见，角色也完全不进行挖掘。唯一的亮点是史蒂文斯的颜值……
情感充沛的励志体育电影电影，作为一名球迷十分买账，难能可贵的是由一群专业球员拍出来的，另外华子的演技是真不错。
Netflix 俗套是真俗套 但是还挺好看
#电影晶选 说不清是恶搞还是致敬，把漫威和DC的超级英雄一锅端，还不忘捎上银河护卫队和阿汤哥，各种经典梗被玩出花了，笑点密集又不乏温情，最后还致敬了kick-ass的flying home～特别好！
这不比普通的超英电影好看多了，全程高能，爆笑片段一个接一个，好久没看到这么欢乐的外国喜剧片了，还借一些超英经典片段的恶搞狠狠地讽刺了一番，节奏也是非常紧凑不拖沓，每个人的人物性格特点也是挖掘的很透彻。整体来说，算是比较另类的喜剧片佳作了。
还可以。原来真的是都是职业球员啊，那演技就不要求什么了 哈哈。男主是不是因为个子大感觉在球场上有点呆呢
恶搞和广告植入之鬼才，有几个地方笑得我差点憋过去，我承认很低级但就是能戳到我笑点
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