The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
好题材拍烂了，大量无效篇幅，不如集中在球场
【6.0】第一部的时候还有些类型片框架下的新意，续集就沦为平庸的B级恐怖片了。
This is my time,sir. Because I know who I am, and I know why I'm here. Because I've earned it. I've waited for it, I've bled for it. And I'm finally ready for it. I wasn't before.
没有第一部精彩，但几个杀戮镜头也还可以。12.19
电影重点是家庭上面，永不放弃自己的梦想。关于橄榄球场面少点，不过不影响。电影还是很感人，很励志，百度了主角的人生经历，电影呈现了很少，他的励志经历还有很多的！
美国的警察效率太低下了，有人死到了车里，一栋房子被烧了，他们竟然一点儿都不知道。不过总体而言，影片的主体部分还算紧张刺激，整体故事线也比较清晰完整
而残酷的人生，让女孩斩断生母的手臂，扎穿生父的心脏，面对养父的黑暗告白，你还能指望她成长为怎样的健全人？
剧情真是各种翻转腾挪，但是真的和第一部的那种惊悚完全是两种概念。第二部完全就是一个爆米花电影，处了暴力血腥血腥完全没有任何看点，完完全全没有一丝惊艳！
宁可杀人也不杀狗，谁杀我狗我就杀他全家，这片子难道是和John Wick有联动？
砍自己老妈 捅自己老爸
有些行为看似反常其实也是人性的一部分，咱不说放下屠刀立地成佛，但至少善恶一念之间，恶人中总有渴望救赎的的也有永不回头的。看的时候我只是忍不住想警察在哪里，房子都烧了一夜，这么大动静。不过还有个有趣的，我今天对一个人说了那句，不要觉得什么都理所当然，然后这片开头也来了这么一句。巧合带来的惊喜让我一开始就颇为投入，只是剧情发展丢掉了逻辑，瞎子对陌生的环境是不存在战术优势的，断电，埋伏，可信度太低。
怎么说呢，唯有只能当爽片看了，可是瞎眼老汉也太神话了，上一部还是瞎眼军人利用自家地理优势战胜还说得过去，这一部直接杀到对方家了
作为NFL最励志的传奇，华叔的故事终于搬上了荧幕。本作的表现可谓四平八稳，讲述了科特华纳如何从一个落选新秀到成为Super Bowl MVP的历程，选取的片段也很有代表性，如在UNI的比赛学会留在口袋，在Arena Footbal的比赛学会快速出手，以及第一次NFL首发对阵雷神。同时也花了大量笔墨介绍他的家庭，特别是和他妻子的相遇以及互相扶持。全片传达的思想也很明确：If you have only one shot, you should be ready when the opportunity comes to you.
还行。有个笑点是狗狗临时成为了导盲犬🦮，就挺秃然的……
剧情惨弱的同时，演技也没有出息，导致整部影片就是维持在低端B级片的水准，真心不如前作。
也许永远不会明白橄榄球的乐趣，但是看到老美玩的不亦乐乎，连篮球都得靠边站，也不由得不肃然起敬。不过这女主找得也太非主流了，年龄就不说了，库尔特怕是有恋母情结。特别喜欢他的经历，人不经历挫折哪知道珍惜，一帆风顺不叫人生。
老爷子还是很有魅力的，但感觉剧情和上一集有点接不上，可能看太久忘了。后半部老爷子离开自己的地盘，杀入虎穴，感觉就有点不合理了。可怜了这么小个孩子，拍了这样的B级片，得有多大的心理阴影啊！
电影一般般，但这个居然是个真人真事就挺神奇的，故事本身就可以打四星了
逻辑有点牵强。哪怕是小女孩目击贩毒现场也行啊。居然整出个父女。
挺好看的 有几幕有点出戏但是不影响整体 第一部橄榄球电影
Copyright © 2015-2023 All Rights Reserved
