Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
给及格是因为最后的升华，这个世界足够大，每个人都有展示的空间，无需拉踩，不需要做小人，be kind
Netflix给了多少钱给这几位姐啊orz
非常棒的主题和点子，可惜剧本很弱，男主拉胯。
一看简介就感觉是对标2000年的romcom，美国人真的永远忘不掉高中，逃不开prom。但执行的不错，有些点还是触动到了我。爸爸妈妈的肯定怎么就不算呢，明明这些人才是最重要的。2022届的这批毕业生也塑造的很可爱。
开头想关了，后来居然还凑合？不过看出来很多不舒服的点
一直很喜欢女主，看过一些作品，但是这部虽然说题材挺新…但是有点太肤浅了…成年人去解决高中生的问题，就没什么好看的…只能当喜剧看轻松一下吧
热热闹闹的写给千禧年的情书 就是落款部分写着写着笔没水儿了
其实漫画版的立意挺高的，关于一个自我认知的故事，也是一个有点哲学意味的命题，值得每个人思考的问题。但是真人版很多设定有些混乱，借尸还魂、灵魂寄宿、天马行空的幻想、乱七八糟的一锅炖，套了一个失忆的壳，男主自我成长的起承转合逻辑不自洽，全靠路边暂停来转折。不过百合那个妹子很有模特潜质。【TEPES】
一星给Joshua Colley 一星给Justin Hartley
女主真的瘦了好多，有笑点但是很爆米花，结尾太老套了直接快进看完的
非常符合美式风格，像极了十几年前看的电影。没有超越狗血剧情，没有迫害陷害剧情，everybody大团圆，那个明星男孩是同
岁数大了变丑了这事还挺出戏的 这演员看着不舒服 故事还可以 很欢乐 学生时代就是好 是别人的学生时代 我们的高中怎么可能这么轻松 看看得了
满分10分给5分，名字叫毕业季实际上和毕业没多大关系。剧情很老套，也没什么笑点。有一些对zzzq的讽刺，不过很浅显。
這算不得好電影，也算美國人的「正能量」宣傳，說教意味濃厚，但這又何嘗不是現實的寫照？
3.5，可怜love victor成了没有性格的工具人
男同导演来诠释的女性永远都那么用劲儿。一看便知，不过这都比一些傻屌自信男导演编剧诠释的好。
6.8/10，高开低走，其实可以有一个很好的讽刺主题，可惜落点太保险，整个电影的看点是“尬”，故意为之的那种尬。
惊了！rebel wilson竟然这么瘦了？？！
刚刚看完，其实主题挺旧的，不过这部里面母女的情感还是让我泪奔～故事也完整，看的时候也挺享受的，所以给了4星～想了一晚，实在需要改成3星😂
适合周末夜晚，一瞬间回到20年前和朋友一起看青春爱情电影的感觉。很好。
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