Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
在2022年春节假期免费看的，比起春节假期这些电影和票价，这个片值10星。
在搞笑的同时也引人深思，资本进入市场对市场的影响，究竟是更上一层楼下还是降维打击，对未来的发展时好时坏，在这种影响下，消费者获得了一时的利益，但失去了长久的市场发展，最后会演变为市场垄断的寡头。
想想我是为什么下载这部“电影” 再想想为啥有人要拍这部所谓的“电影” 看在只有1个多点小时的时长，换个口味就看了… 特么的… 只能说太年轻… 这题材是真的“小了”… 硬拗…就硬拗…人物设定啥的？我呸！ 哈哈😃我收回我说的话…让他拗让他拗 卧槽 烧烤四大才子吗？我丢🙄 挖槽～烧烤时尚F4吗？我丢～ 致敬食神我真的笑了😊 哎哟喂 归来仍是少年啊！这价值上的，颇感动颇感动 得嘞！加一星吧…是一部有“诚意”的喜剧 小旋风这个👆🏻梗算是整得明明白白呢🤪
1⃣️我觉得这种电影确实是普遍意义上的烂片，就别以电影的标准去评价了，从感受和体验来说给四颗星吧。2⃣️跟老公在家吃烧烤外卖的时候看的，挺呼应的，加上倍速大概1h结束战斗，愉快的一顿饭。3⃣️恭喜四哥从抖音混到大荧幕啦哈哈。4⃣️连拍黄瓜老头都有，居然没有人的绝活是花毛一体？？5⃣️演老板的长得好像张嘉译啊。6⃣️孙越名字排第二…这波客串大可不必。7⃣️要说真的笑了的地方就是“甲，乙吃辣不”那一段了哈哈哈哈。8⃣️早就想讽刺一下那些服务员卖肉的饭店咖啡店了，真的是脸都不要歪门邪道😅
虽然很尬，而且崔志佳演技一直很紧很硬，但是剧情和剪辑比宋小宝的要强得多
real typical broadway show
赚了啊，当提前看人生一串了，很俗套但很舒服的片子。
上海lockdown的日子里看一部这样的电影，真想感叹，生活如果能像在迪士尼电影中那么美好就好了。
我看这电影就图一乐，也确实乐到我了。定位喜剧我觉的很成功。
这。。。颇有拉长版 (爱笑会议室) 小品你来我往的扯淡感
但節奏算快
此类喜剧的弱点几乎都是:感情线薄弱。其实真的不用强行走心，男主跟他老婆，老板跟他爹……别什么都想抓，结果两盘散沙。
烧烤的镜头拍的真不错～
一事无成的男主，在公司干啥啥不行，公司老板的父亲一直在做烧烤，老板让男主只要搅黄父亲的烧烤店就算堪当大用，男主找到了腰子姐和东北禽王，跟老爷子竞争，老爷子也找了四大天王，烧烤辅助竞争，最后男主爱上了烧烤事业。当齐心做一个事业的时候，稍有成绩，你就爱上他了
生动解释了“降维打击”和“内卷” 结局没什么必要 一部轻轻松松的网大 逻辑不严谨 看着有点膈应
有热爱有亲情，没有什么狗血桥段和膈应人的幺蛾子，很积极的一部喜剧
类型: 喜剧
轻松好看，峰回路转的包袱让人捧腹大笑，比很多网络大电影强很多很多
还可以吧，毕竟网大，和乔杉、彭昱畅的《沐浴之王》是一个系列的么？
希望多一点国产的、能完整讲完故事的无厘头电影
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