With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
奇巧计程车剧场版 狗屁不是 喜羊羊大电影都知道不能够把每一集喜洋洋动画狗屎一样剪辑一下就放在电影里用 但是奇巧计程车就是不知道
虽然是剪辑，但是看到小户川看海象那段还是很好哭…
哈哈哈 这是一部哪里都很莫名其妙的电影 bgm除外
其实没搞懂为什么要加这个结尾，原版就很好了。
只有听过广播剧的才晓得这个剧场版倒叙穿插的良苦用心吧。
明知剪得不行还是要看……新加的三名角色无甚意义，田中革命那一集大砍，长颈鹿、马场也被砍得让第一次看的观众难以理解。我真是贱啊。
说它是教育片吧，导向不正面。
最后多了八分钟的新内容吧，其中四分钟是片尾的ppt
唯一的意义就在于交代了结局，而且还是用藏在ED里这种隐晦的方式，故弄玄虚过头了。
就是把剧集做了个总结，然后多出一点点新内容……
No.2411 国外的青少年玩儿的真开啊，这是高中生吗？天天开Party、穿着暴露、性经验丰富。另外，这不就是《之后》的姊妹篇嘛，内容如出一辙。
两星的水准 一颗星是给医生的（长相真是我的type
剧情真是不咋行…比较能磕到大哥大嫂 期待一下第二部
男主好帅😍俩主演前面的flirt还挺带劲，剧情就比较普通了
富二代竟然还蹭网？bd无情却爱上？莫名其妙！女主简直就是私生饭偷窥狂，卖肉不如黑帮大佬。纯看颜。
怎么办 男主真的跟寸头、西装、绿色carharttT恤真的很配 太帅了 😭
大帅逼怎么可能喜欢普女！！！！不可能！！！Taylor swift都不拍love story那种东西骗人了，西欧人又返祖开始在主妇意淫文学里大肆欺骗普女。我以为继50度系列之后欧美主妇已经疯到顶点了，结果又出来了After，当我觉得after已经够羞耻了，没想到这股意淫之风又在西班牙开枝散叶了，更别说这颜值还不如我们Hero。这种封建爱情故事的母题我们雅洲人从小浸淫到大，轻易不容易上当，欧美拍这种类型还是太不伦不类了。
古早玛丽苏设定，感觉是十五岁少女po在网上的小yellow文……我倒不如去看个a片吧！ 这种主要就看脸，男主基本🉑️，女主是西班牙沈月吗？更吃女二的颜…
二倍速看完，剧情很口水不重要，我也不想给三星，可是他是帅哥欸！这年头还有勇气拍帅哥美女无脑纯爱doi的口水片不多了，国外导演继续努力挖掘帅哥，国内就算了。
对于还没看TV动画的我一点都不吃亏，很有意思的题材，普通人的故事果然是最棒的
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