Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
黑人就是血厚，神谕，其实是好运假期，真正的厄运是吃安眠药的时候被金发女人射中，爆头而死
太飒了，一个来自平民的对抗和反杀，除了大使馆部分有点拖沓，一路节奏高歌猛进，跳崖跳楼男主不亚于动作戏明星，不可小觑黑人的耐力
幸亏是去碟店买10送的那个1……让观影后心态还能平和，不至于觉得：被编剧糊弄得太悲催，为男主的颜值忍得太尴尬。
他儿
内核是很好莱坞的类型片，配菜却是老欧州片。
事实证明，Netflix的电影小成本和大制作一样不行
本来想给四星，结局部分确实有点硬，但是看了那么多恶意一星，我还是给个满分拉一下吧，很优秀的一部电影！
从《信条》开始就非常喜欢这位华盛顿，所以这次的Netflix&Chill时间自然不能错过这部题材和风格我都很感兴趣的电影。前半部分的观光和谈情说爱差点就劝退我了，还好紧张的逃生和精妙的配乐把我拉了回来。剧情呢就类似美帝个人英雄主义版的《金色梦乡》，不过我们的这位黑人主角无论是运气还是身手都非常了得，身负数伤还能重创涉黑团伙，感觉导演到后面都拍嗨了……
I lost my fucking two hours
看片的时候背了会儿单词 时间也不算太浪费 拖沓流水账 最后紧要关头 没容易来个认识的队友 不一起救人 咱潇洒的男主说了句wait 我也是迷醉
oh...原来是教授作的配乐，怪不得一部无甚亮点的逃亡公路片在bgm的加持下也能有些紧绷感，话说大卫的戏路也越来越宽了，大概是成为《信条》的男主之后，被更多导演和公司发现到了吧。
好压抑 好刺激 警察 美国大使馆 一层一层 谁都不能信任 最后打架也非常真实 正常人打架就是这么的不厉害 打半天 好想看到最后男主要怎么回美国 还能不能通行 大使馆的人会不会再来灭口
最后这个结尾是认真的吗？本可以是个很牛的故事，结果弄得莫名其妙的
坎妹公款旅游，David继续贡献高中才艺表演，加上错位的故事，能红才有鬼。
原本还有点期待坎妹的反转，没想到居然就真是打了个酱油。男主也算金刚护体了，挨了那么多枪还能上天入地保持活力。
很old school的恐怖片画风+配乐，让看惯了Netflix流水线式工业影片的有种转换风格的体验，从头到尾弥漫的绝望让人带入感很强
挺莫名其妙的一部电影…后期主角仿佛开了挂一般猛 反派一个个宛如智障。
带了政治色彩的动作惊悚。。。emmm节奏是真的慢，而且最后男主终于还是开挂了。。。
男主智力真的堪忧…一开始看到警察能和刚刚无端开枪的人和平地站在一起还能信他；大使馆的人问那么多无关问题也不生疑；看到两个人在车里的第一反应竟然是把胳膊伸进车窗等人家掏枪了再开枪…无语了
小黑是克星 ，害死了女友不说，车祸却卷入了 当地一场政治阴谋 ，接着被步步追杀 ，每次却又奇迹逃生 ，影片设计过于乖巧 ，有些弄巧成拙了 ！
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