James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
由于TV版跟个💩一样衬托这部好看，其实就是中规中矩的一部
这次特别篇只能说像其他新生代一样一如既往的一般，不过邪特和泽塔遥辉加分很多，给四星
78/100
久弥直树你给爷好好学学，TV拍的什么东西？
挺不错的，相比tv已经很好了，跟戴卡同一个导演，期待一下吧
行吧，再怎么搞也比TV好。。。
二十出头就一副看尽人生浮华的样子 有点为赋新词强说愁
一贯的圆谷风格，两年防卫队就多了两把枪，其他配置完全没变，懒
稍微有点用力但还行 提前看了花絮没想到就已经完全被剧透了所有内容
想着并守护着彼此间重要的人；
还是烂啊虽然没那么尬，属于不看难受，看完更难受那种
是比tv版好看多了，行为逻辑说得过去，起码不那么尬了
合格了，在有限的时间里弥补了tv版里的各种不足，真不容易啊。谢谢武居！！
特力，加tv剧，要是也能这么拍就不会跌落到5.2的低分
还可以，比TV好多了，姐夫第一个发型好丑，换了之后就还是那么帅
旧活新整，比TV好看一点，但也只有一点，还不知道是不是因为泽塔
这不比TV的大结局好？打戏合格以上，表演情感真挚，虽然一到“斯麦路”还是出戏，但对于光和人类的身份终于有了属于特利迦自己的解释，总归不至于胡乱致敬。
21世纪的情形和19世纪的情形有什么不同？甚至有人说：“人类推动了科学技术进步，人们可以建造空间站，能在太空里完成复杂的对接，甚至可以考虑将航天器降落在火星上，但是人类社会文明的发展似乎停止在石器时代。”
特利迦战斗不会像迪迦一样儿有洽、切那样儿带自我特色的声音，换形态都要喊出来，迪迦不用喊就给咱们留下深刻的印象。那个娘娘腔的男主看着就一股子恶心，另外，那个队长跟那些队员个儿个儿像傻子，没有迪迦里的GUTS那样儿给人记忆犹新！
据说有z宝😋
Copyright © 2015-2023 All Rights Reserved
