Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
就说很好看but要拍真人版作为漫粉真的很难过
游戏改编的及格作品，寻宝解谜的过程弱于《国家宝藏》，荷兰弟和马克的选角与游戏实在有距离，男女主没有火花强行凑，结尾直升机吊五百年古船更是离奇，好在节奏流畅，动作戏不含糊。看个乐，可以期待下一部
07年的游戏，拍出了二三十年前好莱坞同类型夺宝主题类电影的感觉。并且从屋顶跑酷开始，就全面向上个世纪成龙闯荡好莱坞时期的动作喜剧电影靠拢。
还好 ，就是觉得有点尴尬 ，但是呢个人有个人所喜欢的一些剧情吧，总之整体来说不咋样 。
好看，节奏紧张，故事精彩，寻宝过程有趣刺激，虽然有些小细节过于夸张了，但不影响整体 ，荷兰弟的身材又好了一个等级，期待游戏改编和寻宝题材的影片以后都能再火起来，期待续集
国内票房惨成这个鸟样，还逼神海在下周一上映，为了支持索尼大法去看了今晚的点映。一部合格的游戏改编电影，没玩过游戏的人肯定觉得高空集装箱和直升机拉海盗船这两场动作戏太扯，神海粉丝肯定一本满足。如果有第二部，希望能复刻神海4最经典的追车段落。
就算是游戏改编也请你走点心吧，毫无化反的双男主以后不要组队了。看结尾这架势居然还有续集，我去...荷兰弟转型堪忧啊~~~~（不是赠票坚决不看系列）
太好笑了。。就，也太像游戏速通攻略了主要是。
班德拉斯这个唯一有所期待的角色这么轻易领了便当一刚，荷兰弟目前为止的巅峰还是海啸奇迹里的那个男孩
而不是和你一起
就是摆明了大家搞钱。掉书袋还不如古董局中局，结尾大战还有些亮眼
值得一看，游戏度还原很高，比如人物外形，场景设置。场景细节到位，动作指导是亮点，成龙迷的我打call！节奏有点乱，前半段太快了，后半段开始恢复正常。
看疫情这个形势，担心电影院分分钟被禁，下午抽空去把《神秘海域》看了。
《地平线：西之绝境》发售没几天，风头就彻底被《艾尔登法环》盖过了。《神秘海域》在国内周一上映，档期本就尴尬，几天后势必也将被《新蝙蝠侠》冲走……这就是索尼今年的宿命吗？
太好笑了。。就，也太像游戏速通攻略了主要是。
寻宝过程我不止一次地想：要是我们的盗墓题材能好好拍一定会更精彩。
故事简单直接，剧情首尾呼应，整体流畅不乏味，动作场面和轻松细节也都不错，搭配层层解谜推进的模式，通片看下去还是挺有意思的，就是叙事结构有点弱。赫兰德是怎么小小年纪这么油腻的，搭伙的拉丁女孩处处透着成熟居然还真就是女孩，相比他俩更让我吃惊的是安东尼奥·班德拉斯。
冲着中日合作来的，不得不说，整得很不赖，画风什么的很新颖也很贴人设，五星。
3.0。1.以为是未知海域，原来是寻宝片。2.贼偷之间互相倾轧算是仅有的几个亮点。3.偷盗戏有罗汉片珠玉在前，盗十字架这场次戏拍得太简单。4.汤姆霍兰德和马克沃尔伯格完全不来电。
和游戏粉之间确实有壁吧。太乏味了，看完就是看完了，一点惊喜刺激也没留下。荷兰弟以后的转型难啊，快要跟RR一样，戏路被漫改框住了。
Copyright © 2015-2023 All Rights Reserved
