The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
故弄玄虚,有些电影看完让人觉得看画展受益匪浅,这部看完让人觉得看画展的都是呆x
所以是借都市传说来过于“直白并单纯”地控诉种族歧视……看得那叫一个尴尬……
应该叫蜜蜂人…开头恐怖气氛营造的不错。但是后半段不知所云。
拍得还挺用心,厕所里镜像那个镜头特别好。就是主旨太特么直白了
是种族问题 但看了电影还是不知道你在讲什么
糖果人不是一个人,是很多个受压迫歧视的黑人组成。不太恐怖,比较一般的都市传说。
没想到30年前的CANDYMAN到今天还能用流行快餐的拍法重新吸引年轻人。
大概是,如果把话都说清楚的话也就没有意思了吧
电影结尾,糖果侠那段独白像极了诺兰的“黑暗骑士”,誓将“钩子”符号化的劲头儿来了~这御空fly靠满脸的fly真TM亮了!
視覺行先,劇情片走向大於恐怖片,同類言志上算近年執行得較好的一套。
糖果人,糖果人,糖果人,糖果人,糖果人不杀黑人。他是黑人群体的生存咒怨。
urban legend + black lives matter?
精致的室内装饰但没好好地利用这些空间优势,整体给我的感觉就是有足够的资金,但导演水平有限。
温子仁不拍恐怖片了,乔丹皮尔的种族隐喻却玩起了超级英雄式的灵异戏码。黑人对白左的仇恨和守护意识,被受难的同胞亡灵继承,从地狱的业火中苏醒化身为“黄蜂侠”…
应该叫蜜蜂人…开头恐怖气氛营造的不错。但是后半段不知所云。
我什么时候才能看到一部跟政治无关的黑人主演的恐怖电影呢
yeah,yeah,胜在无聊。92年版本就不咋地,重启的更废。直接续集,意义太过明显,要传承,要继续续集。避免不了的黑人种族议题,白人至上主义,无聊。
你可以用电影骗我听你说你想说的,我也可以用评分喊我他妈的不想听。
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