Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
工业水准没问题 镜头内容太差
我觉得还不错呀！女主很漂亮，演技也挺自然。昊宸在戏剧新生活里就感觉他对演戏这件事挺认真的。值得看一看。
插科打诨，胡乱塞梗，流行元素大乱炖。是金凯瑞都拯救不了的无趣无聊却又自以为能逗笑人。金凯瑞的出现只是让人不禁又想到，那个全盛时期的好莱坞，已经远去了无痕。
6分+，说得过去。加一星给达叔和尊重人设的导演。
变成超级赛亚人之后从天上取热狗这一段还是看笑了。
缘起这个故事好就好在，它为紫霞的执着或者说固执，书写了一个合理的动机，让整个大话西游里的爱恨离愁，更加丰满具象。服化道和包袱和正传是贴的，虽然有距离。吴孟达的戏无可挑剔，其他主演也没有拉胯。而缺点，剧情起承转合还是太硬了
毕竟看一部少一部，以后只能看达叔和星爷的经典电影来怀念达叔了，唯有达叔和星爷合作之电影，能做到每看一回笑一回，又会有新感受，重点是百看不厌，非常难得。
相比起前作的平庸，续集至少在特效场面上有了质的飞跃，但还是很烂，实在是不想吐槽弱智剧情了，票房高可能真的是没啥同类竞争对手，这个又很适合各年龄段一起无脑的吧
挺炫酷的，这两三年美国新电影明显含黑率更高了
嗯，中規中矩。挺有笑料，Jim Carrey依舊驚喜。
哈哈哈哈，越看越想入坑索尼克，
国外的反派好没创意，破坏世界还要借助宝石的力量。cm的摩根在这里怎么还是FBI啊哈哈哈。金凯瑞的表演真是锦上添花。
勉强能看看，比较低幼。居然还会出第三部...
小而精准的频繁击中大话西游影迷的心，在情怀之外剧情上也基本不掉链子不尬，还挺难得的
合格的爆米花续集，没什么深度没什么新意，看着图一乐还是可以的。
我觉得有6.5分最少 金凯瑞依旧很亮眼 对于动画还原做的也不错 片尾电玩风格的画面也很用心 总体还是不错的
再加上些漫威和dc吐槽
这几年网大好的也不少，这一部除了情怀之外确实也还可以，这个紫霞真的好美，我看见她第一眼就想到一个成语“明眸皓齿”
比我预想中的好看些，红色的那只也有点呆呆的笑死了哈哈哈
整体太过儿童向，很低幼，两个正派家长太多余了，连工具人都算不上，还有前半段太拖踏，完全可以删减20-30分钟。
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