Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
拍得挺好,很刺激,但元素过多,设定经不起推敲...
本来以为是恐怖片,然后是女权片..大boss确实挺帅..看后无法直视扑棱蛾子。
房子闹鬼 老套故事 邪灵献祭 老套桥段 女主反杀 老套结局
伪纪录电影玩的花样越来越多了,从女巫布莱尔到电脑桌面到行车记录仪
更别说是九年的老姐妹
可惜 怪物樣子還蠻驚悚 卻只能靠意念殺人 ....
这姐们挺乐,本来怪物应该是近几年看过最恐怖的。
婊姐战斗力真强!可看吧,疫情之下的片子有点儿意思!
全视之眼,倒十字架,嗜血,恶魔形象,反人类行为,污秽的物体和语言
年度最佳血腥惊悚片。预判错误,我预判6.2分~7点2分,大家应该都没有认真看结尾。但我没看全片,所以我还是将五颗星改为四颗星吧。
故事讲得不太好,但是最后的怪物形象觉得可。本来以为引恶为战,结果是因恶而生。怪物的力量滋养恶人的欲望,欲望无尽杀戮不停。弑父杀母者堕无间地狱,谁说不是呢,她再也出不去了。
40分钟开场,铺垫冗长,密室、怪兽、鬼混,杂糅但是没一个好看。
作为伪纪录恐怖片其实挺好看的,就是血浆有点假。
这种没头没尾的狗屎玩意真是要看腻看吐了,负分滚出
第一次看见片尾字幕人员的这样说唱逗比,有点意思。这片可看做疫情封城后的疯狂表演,就是燥,躁起来的感觉可并不是特别友好,哈哈。极度不舒适的观影体验也是没谁了,但是越到后来越神奇,前面铺垫的埂也是很好的利用起来,来个鬼怪开大会,也是挺有意思的。
小制作。低廉的价格吸引偷渡过来的人 只是为了诱导献祭给恶魔。寓意 抹去了人性才能在社会上生存下来
2.画面差,后半段女主一直奔命,如果稍不留神就有可能看不懂场景到哪了,镜头乱又糊,几乎什么也看不清;
郁闷的绝望感从始至终,压得有些喘不过气来,怪物与它的出场方式别具一格,结尾也有亮点。
小制作。低廉的价格吸引偷渡过来的人 只是为了诱导献祭给恶魔。寓意 抹去了人性才能在社会上生存下来
难得没有宗教驱魔没有廉价jumpscare的鬼片 女主还是个懂得补刀的勇士 表扬
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