Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but finds herself locked out when she comes home. This angers Carlo and he asks Anna to go away with him to Rome, where he plans to liquidate his business assets in order to have money for marriage. He quarrels with his partner and is implicated when his partner is found murdered. Although innocent, he is convicted and given a long sentence. Anna has a child and, finding it impossible to support her child , returns to Naples. The stepmother's conditions are that before she will agree to house the child, Anna must commit herself to a reformatory for unmarried mothers.
黑暗风减少，欢乐更进一步，而且“亲子鉴定”看来也不太可信了，哈哈!
Wednesday: I’ve been social distancing since birth.
还好我是真的很爱亚当斯们…不然这片子多少都有点让人看不进去…
感觉对话不是很好懂啊，还得慢慢啃.it doesn't matter how you get to the finish line. just as long as you get there
薅神，我辈楷模，薅无止境，自强不息，止于至薅。。瞄了下原型，惯犯，无卖惨人设，优惠卷是私印，电影淡化美化喜剧化，让大家更容易共情。。以及虽然这桩的确轻判，后来的模仿犯就没那么好运了，嗯，薅还要乘早。。
《绝命毒师》之“绝命消费券师”。把一个欺诈故事拍得有种莫名的正义感，更把故事上升到要在世界发出声量的主旨- -从《舞女大盗》再到接下来Pete Davidson那部炒鞋的电影，STX这类“流行文化”犯罪式喜剧+电视/喜剧咖狂欢的组合驾轻就熟，也永远吃准人；作为假日电影，再好不过。Bell妞和Kirby恰好也在《善地》合作过，有火花，还圆上这是两人在剧集宇宙里“生前”的生活的另类想象；Paul Walter Hauser也再次证明自己值得一个单人的查案片，《库伊拉》后渐入佳境。整体卡司讨喜，让人放松- -对喜剧，也就这点奢望。
紧张刺激感弱了些，警察永远都在结束之后出现也是服了，全靠人质自己斗智斗勇了。
Unhappy to see you again.
整体
他们可以是任何一家，剧情和亚当斯一家没有太大关系。还是，套路剧情，浪费人设。
没什么营养的电影，但是看着爽就完事了。鼓励犯罪和钻法律漏洞不好，但是看到万恶的垄断资本家吃瘪就是让人开心啊哈哈哈哈
难以想象这电影和昨天刚看的终极大闷片Beneath the Harvest Sky出自同一对导演之手（by the way，好奇他们哪来的渠道总能请到一堆蛮强大的卡司）。
还可以吧，没快进 没闪退，一气呵成看完了。
把一个被丈夫漠视的家庭主妇和三流屌丝销售员姐妹靠造假优惠券翻身致富的欺诈故事拍的很有意思，我看到女性自我掌控生活的力量，爽感喜感兼具，别杠所谓的三观和假正义
原版的王千源太惊艳，有点偏纪实的风格，翻拍就感觉商业化了好多。
跟过家家似的，看的时候也就打瞌睡了十几次吧。
就是两个调查员的部分不想看
上一部还算不错，没想到续集直接低智合家欢，令人失望~5.0
收银员小哥笑死我了，个人今年最佳喜剧表演。
bebe rexha的出现比整部戏更让我惊讶
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