Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
杰克演技真的不错，收放自如。配角(配音)也都是大腕啊。
公路風景迷人 音樂好聽 狗狗會演
比我想象中要好很多，毕竟这可是一只狗狗和瘦下来的钱老板啊
肌肉男主与凶猛军犬的爱恨相加的故事，叙事平稳，适合下饭
还不错。吉伦哈尔演技真是越来越好了，基本是他一人的独角戏，不容易。@TIFF2021
看了一个机翻版本，很影响观感，但是谁能拒绝Channing Tatum和修狗的组合呢
还可以吧，人狗的互动少了些。在狗狗片里属于一般
讲的人和狗的PTSD。
故事拉胯，气氛拉满，代入感强烈，很多偏主观感受的视角让人设身处地的体会到人物处境，地铁那段直接后背发凉，女主很像Gwen Stefani
复古的色调很美，全篇都是铺垫，漫长而悠扬，欲盖弥彰的逐渐紧张，极致简单的故事，平静的只是荡起了一丝涟漪，比同类型的偷窥者差距颇大，实在不适合独居观赏，特别是午夜
成片的起承转合就很网飞，Jake的表演值得一看
警局的接线室很宽敞很肃静，接线的人很焦虑很挣扎，这个故事很曲折很悲伤。
和我猫也是不打不相识 可是好起来以后 谁也离不开谁 这种相互救赎的故事太懂了
不了解国情，看不太懂，但是狗狗很爱，家有萌宠，对有动物的电影比较爱。
画面 节奏 演技 一切都很好 立过战功 受过创伤 重新回归社会 遇到不离不弃的主人 真是很温暖 狗子也因为爱慢慢重拾信心
很平静的电影。镜头非常漂亮，全程不知道该看狗还是该看人，钱老板演军人真是越演越帅，电影里他也跟军犬一样，PTSD是最万能的感情调剂药。
很温柔的公路片，重点还是在表达战后创伤对狗子的影响，毛孩子都可爱，但触动不太大。
很温柔的公路片，重点还是在表达战后创伤对狗子的影响，毛孩子都可爱，但触动不太大。
几乎不看公路片或者狗片的 看久违的查宁塔图姆还是很舒适的 这狗真是训练有素表演的好
好吵的美国电影啊 一如既往不知节制直给铺满
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