With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
如果学生时代的自己能看到这个电影，听到“做自己”，“be real”有多好。小时候对于幸福人生的定义总是如此的简单而现在才会认为真诚是多么的美好。
虽然还是熟悉的美式校园套路 但是rebel瘦身之后原来这么好看的吗 20年前的歌单也太戳了啊啊啊啊啊啊 以及现在的zzzq放回去对比一下真是扎心了
看完这片怀念小甜甜、席琳迪昂，比较轻松的剧，但是各方面一般，
好久没有看到这么流畅的chickflick电影了。
3.女主 silm了但依然很 fat
整体还挺不错的，就是喜欢这个简单欢乐的chick flick
因吹思挺，虽然剧情老套，但还挺有意思的。曾经的Queen想要重拾焦点。看似是把等级和歧视等不良风气带入校园，却引领了一场去中心化的风潮。
幸好结局女主放弃了成为人气”青少年“，继续学习是正道，去他的雌竞！女主的朋友都好棒T T电影想传达出多元化，从选角和剧情就能看出，还是挺有意思~（好喜欢布里！她的男朋友是维克托欸，服化道在线后更火辣了....）
7.0。突然想起刘擎之前说过的一段话：我们每个人的存在，不是一个物理性的存在，我们人的存在，是跟你的存在的感知方式有关系的。你对外部世界的感知，反馈到你自己的内心，然后你有对自己的理解。 人生是一场漫长的寄宿生活，在客观与主观相互映照的世界里，我也在不知不觉成了寄居蟹。
毕业以后做过好多次梦回到学生时代，但每次都是更差的结果，并没有给自己翻转
瑞姐，这些年不见，你瘦了啊！老美也会融梗了，可惜还是我们国产大片《跳舞吧！大象》立意更高。
是谁杀了我，而我又杀了谁？
我好喜欢啦啦操 我好喜欢少女 我好喜欢青春的味道。we are just we
至於女主，真是只要自己不尷尬，尷尬的是別人～😂
surfing camp里看的，女主口音瞬间梦回deadwood
2.5星... 類似早期HBO家庭電影院的片子.....立意是好的..其餘就不能太考究
比较典型的奈飞片子，亮点都在预告里...女二女儿突然就变好人了，虽然也是反抗她妈加上一些新时代年轻人思想吧，但是过渡还是很生硬
满分！喜欢这种活力满满无坏人但又不过于理想化的电影
成年女主演员瘦了好多啊！哎看到两个朋友一直陪女主长大好感动！
这位管理员同志，为了阿真的幸福，您还是真的费尽心机啊！
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