Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
是心靈雞湯，但相當真摯及動人。很高興這套沒有「攞獎格」的電影，成了今屆的大贏家。
7.2。青春期好难，加上家庭的特殊性。每个人物的性格都很棒。
家庭终于不再是青春片中的背景板了，无声处理那段很感人
范本式的剧本 范本式的表演 一眼望得到头的催泪戏码（用这么极端的例子讨论个人成长与家庭责任关系确实有点过分催泪了） 没什么不好的 也没什么让人心动的
是里面最打动我的部分了。
所以我不研究善变、难懂的人类，要转去研究通透、明净的事物，用事物来忘却我。
为学校那段无声的聆听，及考场那段带手语的双重语言歌唱，加一星
我的天！悲剧中的奇迹！请你尊重，帮助，老弱病残孕！
孔子、儒学、四书五经、流放...
虽然听不见，但你依然可以看、可以触碰到震动。很多父母的都应该看看这电影，希望他们可以对着孩子说出那句：“GO！”
关于爱，关于被爱，虽然我的世界没有声音，但我仍然会在台下听你歌唱。
好感动 愿每一个人都被温柔以待 生命里都是美好和爱
“她是我的baby，可她从出生到现在从没做过baby。”
1.玛丽·玛特琳虽然皱纹满面，但身材保持得很好。记得第一次看她出现在《失宠于上帝的孩子们》，真是被她精美中带着倔强的脸庞惊艳到。2.女主的爸爸演得很好，很自然。3.影片让我想起英国的《跳出我天地》，但本片的青春喜剧元素更强，我更喜欢前者的真切感。4.电影还不错，但说实话，拿奥斯卡最佳影片，那只能说，今年的奥斯卡真是灾年。
是心靈雞湯，但相當真摯及動人。很高興這套沒有「攞獎格」的電影，成了今屆的大贏家。
比原作工整匠气了一些，浑然天成的朴拙感略逊色，但好在演员挑得好，也比较完整的保留了原作的情感内核。
其实很多immigrants家的小孩估计也是这样吧
真摯動人。當我在想 hear the duet from their perspective 的時候，it happened. Truly surprising, and that itself was worthy of five stars.
7.5
照日深红暖见鱼
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