Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
我是真的很喜欢图图，这部霸王龙小分队提前登场让我这个磕CP的觉得很nice！但基本上是新瓶装旧酒，诚意有了，但不足。只能说我老的太快了吧...
救命……临时空出来的一点时间。。就两部片子可以看。。完全该去二刷一下兰心。。
虽然有很多重复的，但是重新编辑成了一个完整故事，都是回忆啊
为什么要放跟原来一样的情节 台词都不改 整个编剧是不是脑子有病恶心人 我真的是要气死了
片子本身还行，三颗星。配乐加一颗。最后处理的感觉像是现编的。想一出是一出。本来引入倒计时和数学方程式挺有意思，想着结尾怎么着也得是用魔法打败魔法（篡改方程式什么的）。结果羊脸直接上来抓人。一家子全落里边了。演技挺在线。
P.s.最后的烟火好像是在故意诠释康德的“生命力受到阻滞之后的勃然喷发”hhh
小孩子们是喜欢的吧？个人感觉还是适合制作成电视剧。
前面频频出现似曾相识的情节，隐隐怀疑是不是幻觉记忆。直到听到片尾曲才开心一点。是第一部的主题曲，像个彩蛋，缅怀当年按时看直播的我。
为什么美食狂想曲不炒冷饭，2021年的霸王龙要炒冷饭，这个顺序不对啊，我想不明白，看的时候还特地搜了一下上映时间，人物出场介绍版歌曲大赛
气消了，一星滚粗。
意外地不错！（这个Sarah 的表情习惯和说话方式和Hawkeye 里的Kate Bishop 蜜汁相似……为什么13说话特别是演讲时的动作好似在唱rap……）
去年第一个看的影视剧也是DW的新年特辑～
一个半小时的电影，前半个小时是之前动画片里剪出来的，最后上升主题呼吁电视前的大朋友小朋友多陪陪老人，全是得星的点吧，小孩子看可以，成年人最多的还是看个情怀
CC的创作力彻底枯竭只能靠抄旧的设定来苟延残喘，而且还没有能力圆好。新年嘛，喜剧一点倒也没错，只是太没有新意
炒冷饭～and有点无聊，没有什么创新，剧本都没改💔就是给四岁小孩看的。
作画：5
确实是小时候的故事重制版，但也很快乐。感觉回到了小时候的时光😭。
Doctor真是个lady killer
张小丽的配音没有以前好了，也有好几个部分完全是照搬以前的剧集。
还是挺感动的，让我认真思索了一下老年人的状态。正巧前一段看了个老漂族的采访文章，没孩子我们都知道关心，有孩子陪伴的老人就没心理问题吗。关爱今天的老人就是关爱明天的自己。但我知道关爱绝不仅仅是让孩子去表演那么简单。是自我价值感的体现，就好像最后的爷爷唱出那首意大利歌曲（是吧？我乱猜的）适合小孩子看，大人不建议
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