A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic.
Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself.
Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move...
With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia.
'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer.
Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?
稳扎稳打讲了一个“特殊病例”故事，徐玄振把由强到弱、病中无硬汉的角色转变过渡的非常好。
说实在的 一开始觉得女主表演很用力不自然 但后面还是边看边哭😭特别是女儿回来之后那一句 “我并不柔弱 因为我像妈妈”
女性的悲惨史了可以说是。对比成为女人所要承受的苦难，男人的生活可不就是太简单了。最后那段关系中，女主处于支配地位，更主动地掌控了两人之间的关系。她所诉说的“不仅是生理上也是内心深处渴望男人”，我更倾向于理解为渴望成为一个具有自主性的人，而当时的社会环境中这种主体性只体现在男人身上，所以想要成为男人，而不是什么爱不爱的。
人没有记忆还是人吗？是僵尸，拖着身体走来走去的僵尸💧
徐姐在演技方面真的有野心，会选择这样一个题材。
感觉有点像 致不灭的你，一点也不恐怖 但是画面跟音乐跟美。
一部女人为难女人的文艺片，深度揭露了女性不幸的根源。几句痴语台词豆瓣文青看的都要高潮了
画皮海外版，但通过这种拍摄方式来表达这个故事感觉很不和谐
有一说一，剧情挺失败的，很多因素没有交代清楚，只是一味的叠加冲突，但那句“秀珍啊，你在我才有女儿”真的哭死了。
哇也想变成黑色的狗观察世界（成为男人才可以在痛苦中活下去，在草地上玩耍，被阳光包裹）寻找新的河流
从女巫的角度去感受生命，有点太直白和做作。
节奏缓慢的文艺类电影，不能分类在恐怖惊悚范畴，静下来看应该会觉得好看吧，不过现在人都太浮躁了，这种电影很可能不讨好
你看它千奇百样 源源不止
两点五。诗意与诡异的结合应该更好才对，也没太多叙述，镜头都很美。
过于冗长了，处女作接近两个小时基本等同于失控，所幸凭借有趣的设定和声画出色的表现撑住了一些。
故事本身乏善可陈，为了煽情而煽情。徐姐演技还行。
类似上世代棒子最拿手的纯悲情绝症片，角色本身倒置的关系是亮点，安圣基有一段自述表演非常感人，但仅靠演员的出色发挥显然不够，各种老梗烂梗意外梗满天飞，孩子的剧作功能太弱，再丰富一下支线会更好。
没想到是以巫女的视角看人类的悲喜，不断转换身份之间，竟然有点泰伦斯马力克的味道，本以为是一部氛围独特的恐怖片，没想到基本算一步文艺片了，3星半
好喜欢。
定档了，但这个阵容就蛮杂的（不过我喜欢?）看预告还可以唉//虽说是叙述女巫成长，但整体还是男性视角，题外话:以为carloto是演女巫爱的男孩没想到是女巫本人，felix才是那个lover，但是这种纯净懵懂的状态梦回a cara que mereces
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