You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
两种液体流到下水道，不是照样会爆炸吗？？？
卖人设电影这个水平我没什么抱怨了，对我来说前半截就值回票价了。反正是我这几年看得最开心的一部。不过高木和佐藤的结婚画面并没出现有点涉及虚假宣传（如果有人是冲着他们去的的话），出了蓝光我会入的。唯一说不太开心的就是高木扮松田的剧情吧，怪里怪气的不知道谁看了会开心。
Que demande plus au rituel annuel sur grand écran de notre détective en guise d' action hero? Un pur divertissement équilibre entre le fan service et l'intrigue sans véritable suspens mais tout en respectant les codes de la franchise. Ça se regarde toujours, un film d'action pas trop mauvais
安室透真的好帅啊！！！剧情比去年好太多了！！刚才电影院买了一堆透哥周边！！快乐！！！
但是有一说一，这部剧场版的观感还可以，至少没有什么过于离谱的剧情发展，属实感动。
虽然套路还是一样的 但比前几年剧场版好看很多！笑点也蛮多的
换了脚本终于多了一点推理要素，比去年好多了，已经有点期待明年了。
卖人设电影这个水平我没什么抱怨了，对我来说前半截就值回票价了。反正是我这几年看得最开心的一部。不过高木和佐藤的结婚画面并没出现有点涉及虚假宣传（如果有人是冲着他们去的的话），出了蓝光我会入的。唯一说不太开心的就是高木扮松田的剧情吧，怪里怪气的不知道谁看了会开心。
非常简洁愉悦的喜剧，用超英套路解构超英，敢于黑别人也不吝惜自黑，骚还是法国人骚啊。
无厘头，笑点还挺多。没什么内涵，最后女友的反转还挺有趣，图一乐就行
M26预告，琴酒：“啊雪莉”。趁上班前看了7点场…本集虽然槽点依然多，但案件还可以(虽然没有推理以及很好猜犯人)，节奏竟然也不错(尤其前半)！可以说是近年最佳！揭发犯人开始有点拉，但有柯学动作戏马上接上分散剧情槽点就问题不大。有柯南和安室透蒙眼play(真的)。安室透又是逼格拉满已经开始离谱…从大厦楼顶跳回直升机里这还是人类吗？这就是你在地下室里用红酒杯喝白水()的理由吗？但是这些不重要就不吐槽了。警校组的回忆线穿插真是又帅又虐看得我泪目…另外高佐的感情戏竟然意外的很不错(高木的告白看哭了)，没反复强调那套高高类松可真是让我松了口气，长得像的设定也合理利用上了。总的来说值得起个大早。如果要说有啥差了点那就是最后的动作重头戏只是搞了个球堵在スクランブル交差点有点不够看吧。马上想要二刷的程度。
毕竟看了20多年了，带点滤镜，不难看就是好看。
好久没看到这么纯的恶搞电影了，多来点多来点
毕竟是这个有点难忘的五一的一部分，而且竟然是满仲劝导演的作品哎
3. 最后的解决方法，不是靠死堵着欲望，而是用一个更圆融的“球”把欲望和无明化开。
看前，2022了 还有松田正平呢！渋谷特辑。看后，动作片，算ok的啦。5人组可以。
不错，每个铺垫的最后都有了交代
好看！还拿了海报，不错！松田阵平好帅哦，Zero也是！
警校组的粉丝到底怎么想法啊 我路人只觉得能不能让死人安心的死……
意外很好笑哈哈哈，plus版的《这个杀手不太冷静》。这么精良的摄影制作和俊美的演员拍什么不好，拍了一个欢乐无比的恶搞电影，不愧是浪漫法国
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