"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
让你尝尝做人的滋味，德古拉！继续以违反人体力学、夸张肢体动作营造欢闹的喜剧效果，也继续探讨异类之间的融合与沟通。通过人类与妖类
大家一起变身，体验别样人生，相亲相爱一家人，拒绝谎言和怒气。
“我一直以为最糟糕的情况是你离开我,但其实令我最难过的:是你不快乐。”
我好开心呜呜呜，在深冬看盛夏依然能感受到气氛😭，drac变成人意外的更可爱了，草！！怪物Johnny也可爱的不行😭，谢谢，我看的超开心🥺❤
真心不错，特效剧情到位，我小的时候怎么没有这么好的电影？
当作轻松一笑的喜剧动画还行，不过剧情也确实是很简单。怪兽变人没有害处，但人变怪兽却抑制不住内心的欲望和贪婪，果然怪兽也不是那么好当的。
变身总动员，南美大冒险。
熊二翻身做男主，人设也立得住。科幻的大场面中引发了环保的思考，对孩子们来说是很好的启蒙。
片尾曲超好听，可惜目前没有资源，希望可以早日实现洗脑循环
让你尝尝做人的滋味，德古拉！继续以违反人体力学、夸张肢体动作营造欢闹的喜剧效果，也继续探讨异类之间的融合与沟通。通过人类与妖类
站在儿子的角度上来评价吧，小孩子看得非常激动，问了也说很好看，不过我和他妈妈确实中途睡着了，哈哈哈。。。
熊大熊二光头强作为蠢萌的代表 真的能驾驭的了超级英雄片吗？
就是说非常喜欢精灵旅社，而且每次走到哪里布丁都被带着，大概就是好朋友，不需要你也会把你记住，去哪里都要把你带着，真的有被感动到，而且到了最后布丁还起到了关键的作用
如果你只看到坏的一面，那么你就看不到好的一面，还是很沙雕有趣啊！
我说这电影好离谱。我弟（二年级）：牛顿看了都流眼泪。
标准示范什麽是见好不收，首集挺惊艳，然后质量不停下滑，本集更加是属于无事找事的类别，毁了一个本来还可以说是「不差」的系列。
身份互换的内核是非常极其特别流水线，纯粹当个乐子也没多有乐。
其实小黄人系列、驯龙高手、爱宠大机密等等IP都呈现出这样的特征，另一世界另一物种另一群体不断被我们这个世界的主流生活方式裹挟。甚至远不止是某种庸俗的普世价值在攻城略池，而是我们对物质和“现代化”三个字的迷恋勾结起人类的自恋，导致包容的表皮和口号下只剩趋同。
还是挺感慨的，美国这些动画工作室，就算是炒冷饭，做纯商业娱乐片，都还是有很多细节能让人觉得很搞笑，跟我们还是有很大差距的。（ps:CINITY的效果超棒）
我可能是唯一一个觉得34比12要好的吧……快乐温馨的结局，看完出来时工作人员说今天是最后一天，明天影院停业了，疫情原因。（成都太平洋王府井
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