After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
一惊一乍（中性词）。看完drive my car转场回来也不觉得违和
清水寺，八坂神社门楼，二年坂，南禅寺，七廊桥。看得人只想旅游 @_@
this is what you get for falling in love with a cult girl I guess
以Jamie一个外来者的视角去审视宗教团体内对情感和个人的压制，或许有一些真实的背景在，同性之爱成为了一种既定道德的反抗，Marike是矛盾的中心，也是大多数LGBT群体最真实的写照。
不如sp，实在太拖了，明显为了拖而拖，还是一集一个小故事一道美食，40分钟左右轻快的节奏比较好
我愿你拿着细细的皮鞭，不断轻轻打在我身上。
前面的进展有的地方感觉不那么自然，但很多小细节拿捏的很让人心动，哼唧~
后面的重逢部分就有点俗气的味道了
i think about you all the time，about us，do you？
点开以后:还真是前传！
相比正片和2020特别版稍微平凡一些。依然是上佳之作。
听说是低配版的《违命》，可是这个同样的，或者说，更年轻的气息，都让人喜欢得要命。
私心想给四星，演员的演技可以加一星，但是电影本身顶多三星吧。这片的俩女主很大程度上不是因为什么宗教势力的外在压迫而分开的，更深层的原因是因为信仰不同、追求的生活方式不同。所以有人说这片俗套在属于被外力强行分开的苦情ntxl那类电影其实不太对。但是这片的问题也蛮多的，感情的展开没有头绪，主角的内心着墨太少，莫名其妙推进多，俗套街头亲吻被撞见也有，故事本身也太单薄没有新意。相比之下，同样涉及宗教和女同性恋题材的《橘子不是唯一的水果》要厚重有味道得多，人物更复杂立体，不过毕竟后者是获奖无数的作家监制的剧嘛…
2022m30今年过半，电影才看了30部。贤二得知要出去旅游时的高兴劲儿真是像极了我，可惜疫情当下，出市都成了奢侈。我也要过剧中平淡无奇又温情脉脉的日子。
删减了原作一些心理活动 少了一些层次 让全剧看起来更静好了一点。确实不适合电影化。
已婚宗教女脚踏两只船和无刘海女贱次次往上贴的无聊事。
演技爆炸啊！帅大叔的魅力，和内敛的情感，不得不服
快点跟她说不爱了，快点，惩罚她
太清纯了。。全场最佳给黑人小哥，真的很帅🧎♀️
补标。电影版没有剧自然，做饭环节也少了，可能还是适合讲一集20分钟的故事吧。
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