Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
母爱内核永不过时，剧情真的是猜不到啊猜不到，好温馨
虽然从后半段到结尾的过度，及大高潮部分处理更需精细。
为什么没有火🔥！在早上五点钟哭到脑壳痛痛😣那是古老的过去，那时人类与万物共享一位母亲，那就是自然大地。
三星半。感觉很多的想法都很好，但感觉走向结尾有些仓促，没有特别好地实现和讲述。有很喜欢的部分，但总体觉得略失望，应该可以做得更好些。
剧情还是那么温暖而动人，但现在看到歌颂母爱，父亲缺位的剧情总觉得情绪复杂。
555最后的结局有点好哭TvT即使我没看过前面的剧情
就还是有点低幼，不过剧场版基本是给TV版埋下的各种神秘伏笔做了一个disclosure
你永远不知道下一秒会出现什么。结尾很温暖 不过前半段更精彩
电影所有角色又飒又勇
do nothing
女孩变成巨魔，妈妈找女孩，同学找女孩。至于怎么变的，我还在鼓中。妈妈带着警察叔叔要射击他们，这时候反派出来进攻城镇，结果母爱泛滥了，底下躺着巨人。进击的巨人
个人心目中毋庸置疑的2021年最佳动画，对原作画本完美的补充演绎，简单的感动和治愈。
巴巴有点魔性🤣这就完结了？结尾被治愈了，想去找漫画看看。
揭开了Trolberg地下温暖的秘密。我好像也幸福地长出叶子来。
heres the thing. when im interested in some stuff, i definitely gna learn it. ✊
这是最难能可贵的地方
怪兽的母爱 是和人类一样对孩子的召唤 你很棒 你很好 你是我最骄傲的孩子
这部电影是剧场版的，但确实没看过前两剧，观感就不一样。画风很像那个怪诞小镇，很治愈，剧情有趣。
最后结局的升华很加分，超越物种的大爱和包容，温暖你我。
*本电影为剧场版
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