The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
比想象中好看，新瓶装旧酒版人鬼情未了，大概因为女主是搞摄影的，影片的影像风格也比较有质感，迷影元素的加入很讨喜，以及处处可见的细节呼应，女主的好朋友性格也很可爱，本片能在网飞霸榜不是没有理由的
歌好听，人好看，欧文威尔逊作为明星姐夫的气质是很合适的
歌好听，人好看，欧文威尔逊作为明星姐夫的气质是很合适的
对女主还是挺喜欢的~
不可避免地会被拿来与诺丁山做对比，也毫无悬念地差得很远。作为一部中上的四平八稳的RomCom比k歌情人略强，区别于过去故事的核心在于这是一个前所未有的时代：互联网是如此地无孔不入，名气与影响力从未如此被量化成直观的数据并吞噬一切，在这样的时代里，还能诞生像诺丁山一样，真诚、小心翼翼而又掏心掏肺，可以fight everything的美丽爱情吗？从豆瓣短评来看应该是不太行。这当然有创作者技法上的因素，但也许，这真的不是一个浪漫的时代。
歌蛮好听的 剧情设定就还挺俗套挺搞笑的哈哈哈哈哈
不可避免地会被拿来与诺丁山做对比，也毫无悬念地差得很远。作为一部中上的四平八稳的RomCom比k歌情人略强，区别于过去故事的核心在于这是一个前所未有的时代：互联网是如此地无孔不入，名气与影响力从未如此被量化成直观的数据并吞噬一切，在这样的时代里，还能诞生像诺丁山一样，真诚、小心翼翼而又掏心掏肺，可以fight everything的美丽爱情吗？从豆瓣短评来看应该是不太行。这当然有创作者技法上的因素，但也许，这真的不是一个浪漫的时代。
洛佩兹的全心投入，威尔逊的莫不关心就是本片的特点
特么好做一女的。各种别扭。香肠嘴越看越烦。
巨星阴差阳错和一个普通人相识相爱。最终大团圆完美结局。
俗套到不能再俗套的剧情了……不过洛佩兹身材是真的棒～难怪大本念念不忘！
JLo还是还是很有舞台魅力hhhh剧情没什么想说
非常喜欢这个"不完美"结局：虽然小女孩没有帮助队伍获胜，但是她勇于挑战自己，战胜恐惧，就已经是胜利了。(当然我这样说属于偏题了)
年纪大了 其实偶尔看下剧情俗爆的电影也挺羡慕的
套路老是老 但是思想怎么能退步呢 为什么一定要成功美丽的女王大人回归你平凡的小生活呢 继续闪耀不好吗
可能也是当初熟悉起来的时机不对，可能是我不够有勇气，也可能是人家根本不喜欢我呢。
剧情好玛丽苏狗血言情感，不过作为爆米花电影还是相当合格的
很普通轻松的romcom 闲得没事干随便看看
充满节日气氛的喜剧同影，还算适合圣诞节看，不过剧情上确实是硬伤，除了男主母亲外其他人全都抱着一种自顾自的偏见，为什么同志之间就不能有纯友谊，非要全家上下强行干预凑cp，男主和尼克都在一起这么多年了彼此没有感觉，如果爱的话怎么可能一点也感受不到。所以后半段真的越看越尬，全家人都不考虑下强扭失败的话对男主和尼克两个人的打击有多大。
二十年前也是这个卡司，这个剧情……不过J.Lo保养得真好
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