Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
算是情怀加分吧，之前的剧透竟然是真的，多么希望是假的呀，不过多少世界观有点承接不上，而且皮套打斗还是少了点儿，文戏也有点儿感，剩下的几个greed虽然亮了个相，但是剧情太少了，新10年骑士果然没有一个有好下场的，3.5星
结局符合小林阿姨会设置的预期，但拍得不好，毛利写的剧本却有些喧宾夺主，明明重点应该聚焦在映司和ankh上，尤其是映司这么做的选择理由才是粉丝会在乎的。
怎么说呢 欧兹的起点在哪里 初心在何处 他跟其它骑士有什么不一样 想一想就觉得这结局挺好 愿望这东西 实现了就死日式故事
怎么说你好呢？期待了一年，本来很激动的，想着安库回来了，映安终于合体了。可编剧太“可爱”了。。。我映司被写死了。。。这样还不如不完结。让我自己有遐想空间。。。你这整得我更难受了(;_;)。给个3星（看在映安回归的面子上）
表演真的好尴尬，剧情完全就是仓促和草率，为了演员的回归各种尴尬，剧情刻意到不行。
一颗星为了ankh，十周年让我看极限一换一，首先剧情上就不过关，800年前的王逼格也太拉了，前半小时映司的中之人一直是goda，夺舍夺得也太敷衍了，还有映司之死，不懂耶，ankh就不能付映司的身吗？非得搞一出悲情剧呗，是，你要走悲情剧你把剧本好好磨一磨啊，感觉把大家伙全叫过来就为了参加葬礼呗，就这么敷衍了事的10周年纪念作，东映你唬谁呢？我要是以后看见映司活过来的剧，看一部打一颗星。为欧兹感到不值得，为ankh感到不值得。映司这个角色虽然具有神性的特征，但神不一定要陨落，他可以一直开开心心的活着，去拯救他值得拯救的所有人。“亲者痛，仇者快”，这58分钟根本就不值得。
个人评价：
综合：7.6
“ankh，能见到真是太好了。”
拍的很赶，长度上偏短，场面上看成本也挺一般，很多东西感觉都是缺交代的，情怀方面甚至也有强行煽情的味道在里面，结局还整挺惨，但是咋说呢，观看体验倒还不算很差，可能的确是演员请到位了就行吧，最后，额，永恒鸟能不能出个SIC啊……
居然能原班人马回归，而且几乎一点都没变，永恒结婚鸟和诞骑新形态也很好看
纪念我被东映谋杀的日子。。。
毛利亘宏这样写欧兹十周年，脸都不要了。你看看以前写欧兹的是谁啊，小林靖子啊，你毛利亘宏有这个能力吗？没有这个能力的啊
还铺了一大堆回忆
我从变身结婚鸟开始哭直到影片结束，尤其是听到抒情版后的原版ed，突然崩溃大哭，心头很苦涩的感觉，火野映司，假面骑士OOO的故事就这么结束了
最后死的结局倒是可以接受，但是没有剧版那么顺滑，算是满足一下情怀吧，无语！我喜欢的骑士怎么在后来出场的故事里都死了！不能接受！我都要怀疑渡部秀你是不是真的喜欢凉介了！
十年前的Ankh已经得到满足了，他是心满意足地死去的，他也没说过希望你复活他……
只能说还行，刀子是真的疼，时长是真的短，二骑是真的工具人，安库是真tm帅，总体还是不错的，但就是看着太仓促了，剧情很赶，后藤伊达基本工具人，一小时的时长也确实不够看，等个令和final看映司复活(不是
毛利亘宏作孽啊——
感觉是觉得粉丝冲着OOO的情怀 拍的再烂都会买账，而且新形态设计的也可以，玩具肯定能卖出去所以把两个小时左右的剧场版压缩成不到一个小时省钱。
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