Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
好笑是好笑，动作，冒险，寻宝，无情反转，就是一个无脑爆米花爽片。
5.3/10 爆发户审美是一件很可怕的事情
加朵是真好看呀，更丰满了
男主盒饭来的猝不及防，但事实就是事实。不搞杜撰瞎编那一套。这还是要表扬，前面平淡了一点，后面不错，战斗民族武力碾压看着很过瘾。
2.5看到最后我以为巨石和女神会成为小贱贱的养父母。。。哦？我是不是串戏了。真的很无聊的剧情，很无聊。但也看完了。
感觉是浪费生命和时间去看这一部分，把欢乐和死侍的嘴贱加进去，也依然拯救不了平庸到极点的剧情，加朵第一次让人觉得演技这么烂，真的是收钱办事，随便敷衍就对了。
当国际刑警发布的红色通缉令（追捕世界头号通缉犯的最高级别通缉令）出炉时，联邦调查局的顶尖犯罪侧写师约翰·哈特利正在调查此案。在调查一起大胆的抢劫案中，约翰陷入了困境，被迫与世界头号艺术品大盗诺兰·布斯合作，以抓捕世界头号通缉的艺术品窃贼“主教”。激动人心的冒险之旅将带领三人环游世界，他们的经历包括穿过舞池、被困在一个隐蔽的监狱、进入丛林，最糟糕的是，他们彼此间的默契不断增加……
Netflix不会真的在找AI写剧本吧…
战斗场面是亮点，剧情实在太散了......而前期还要用三段式倒叙回忆，让人看得莫名其妙且看不到重点。
前半段节奏实在太慢，也get不到俄式温情；后半段的特战场面还是值得一看，结尾儿子的军礼和闪回中父亲的军礼，还有些亮点。
剧情太无聊了，尽管有瑞安雷诺兹和盖尔加朵。
其实能值五星，如果电影时长三个小时可能会更好，几乎没拍飞机怎么规避导弹不落俗套好评，飞行员阵亡和另一个飞行员脱困拍的有点不够饱满，想当特种兵的小哥中弹那段有点刻意
每个人都在出演自己最拿手的角色模板，可惜故事实在太烂。如果不是编剧偷懒过头了，随便能上7.5分。
No.2360 缝合怪吧，一些见过的桥段拼接在一起，变成了一部好像很有意思的电影，但实际上剧本都经不起推敲。
战斗场面是亮点，剧情实在太散了......而前期还要用三段式倒叙回忆，让人看得莫名其妙且看不到重点。
感觉有点什么都想融进去，又什么都没拍好，除了感慨毛子女人真白，毛子男人真战斗民族，过几天可能就想不起来什么了。这个电影应该是根据15年那起土耳其击落毛子战斗机的真实事件改编的。
剧情前半段感觉有点拖沓 几个战斗场面倒是比较宏大 过瘾 但是解救飞行员的部分也太快了吧！！！ 么看够 老毛子的电影和人一样 你动我 我全灭你 就要这个气质！ 电影最后的孩子传承部分让人动容 不得不说 老毛子在气氛烘托方面确实不错
俄罗斯主旋律硬煽情起来真不比天朝弱(近十几年盲从好莱坞的风气真是败光前苏联深厚的艺术底蕴, 扼腕叹息. )剧本很对不起能真的搞来拍电影的苏24. 战争场面和海报是真好看
前四十分钟是脉脉温情家庭片。男一有老婆儿女双全，男二老婆快生了俄罗斯医院可以看怀的是男是女。后面二十分钟讲俄罗斯特种部队执行任务惹了FBI或者是DHS的雇佣兵导致后面借土耳其之手报复。中间穿插了很多男主他老婆的回忆。这个回忆无时无刻不在提醒男一要死了男一要死了。这不是一部战争爽片。不要被短视频平台的剪辑蒙骗了。
剧情一般，但战斗部分非常爽，非常专业，我都是跳着看的，只看枪战戏。
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