Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
本片波洛：帅气逼人，烟不离手，满世界旅行，擅长推理，武力值点满，万花丛中过片叶不沾身，最后还在埃及打怪。综上所述，此版波洛的最佳扮演者应该是——空条承太郎
1、开场戏很有近年国产战争大片的样子……2、各平台都把ross前妻的les戏删了，结果电影院里光明正大演同性情侣，还是正面角色，嘿嘿，想不到吧 3、虽然小时候看过各种版本，但直到往腿上开枪我才想起整个剧情，对不起… 4、《长夜》的故事永远在发生
比大多数院线片好看，虽然剧情平平，但演员都比较自然，两场狭窄空间的动作戏很刺激。
太棒了，谢苗！一个端了一窝，太能打了，智勇双全！东北话太亲切了。除恶务必除尽，很干脆的片子，不装逼不磨叽，像东北人的性格。一直看到最后，后面拍摄花絮也很好看，片尾曲也正能量。
动作硬朗，剪辑简洁，节奏不拖，算是国产电影中不错的作品了。只是这故事，正能量永远狗都不信。到美帝留学出机场被骗光学费？编剧怕不是只去过郑州西安火车站吧。
拍了些什么 ..what's the point…..
推理悬疑电影推理部分竟然是最弱的，虽然场景还挺美的
讲了一个爱情惨剧 如果只是悲剧 没有波洛没有推理 这个故事或许会更好 这部电影中真的没有侦探存在的必要 本片也从侧面证明了名侦探柯南的影响力有多大 多少年来 柯南的案件基本就是这样一种模式 一开始唠唠家常 然后开始铺垫每一个人的隐秘关联让大家觉得谁都可能作案 接着侦探们被凶手带着无头乱撞 查案的时候就是无尽的问话 却对线索发现个推理过程非常草率一笔带过 反正你不是侦探 给你看了你也不知道 揭晓答案的时候都会一一解答 总之什么都别问 问就是你不是侦探 总结来说这类案件就是一句话 可怜之人必有可恨之处 可恨之人必有可悲之苦 这部电影 包括前作的东方快车 体现了当下侦探电影 推理故事创作的困境 原创非常痛苦 改编又总是忍不住戏多
还行吧，一半儿都在打来打去，能看下去就是成功了，不妄辛苦
这部戏一直没打算看，因为不看好，这是没什么可看的，放着打发时间，没成想打得还挺精彩，全是意外收获吧，7.8
真的还不错诶 打戏非常硬非常流畅 医院病房和公交车两场都非常好 期待有续集！肖三毛选角选得太好了 恨得我牙根痒痒 谢苗好帅呜呜呜
（3.5粒星兒）Emma實在是好美～ 尤其紅裙走來的造型！開片就猜想過兩個人是不是為了女主的錢而要工作機會 後來的紅色顏料丟失大概就猜到了軟飯老公為了遺產 總體中規中矩吧 但審美是在線的 結局雖然開放式但男主還挺浪漫～
相当出彩了，谢苗可以来个东北警察系列下去，近年来很难得的国产警匪动作了。打戏凌厉，但其实还可以更好看一点；另外靠偶遇那个被欺负的小孩后来想到线索有点可惜，这条线以及反派三兄弟的塑造都不够完整，警察资料提现了三兄弟各有特点但剧情里并没有刻画出来，这一点可以学学杀破狼三兄弟，这样一来时长至少可以拉到一小时四十分钟，可以更好
shanghai film center with meteor | 三星 | 影城大厅装修前打卡
没看过书也半路猜到凶手，推理真的啥也没拍出来
阿加莎的原著本来就不是重本格推理的，剧情平铺直叙的还算能看吧，但和埃及的实际风景出入较大，不要当风景宣传片。几首布鲁斯插曲倒是挺好听的。打算去补一下78年原版。
比预想的好很多，但比期待的差了一点。1，编剧没有深入生活，福利院的孩子除了本身有名字的，全部都姓“党”，因为是党在养育他们，所以不会出现李红旗这样的名字，有点想当然了；2，虽然考虑细节在最后有了拿弓弩和猎枪的小喽啰，但是他们从“看到杀人惊恐”到“与JC对峙”的转变实在太快，逻辑崩了。编剧再走点心，这片子能更高分。
评论说什么埃及风景很美，大哥没事吧扣图这么拉垮。其实是个很感人爱情故事。人为了爱情什么事情都做得出来。
当然最无语肯尼斯自恋的魔改。脑海中有着小小灰色细胞的波洛是自信，不是自恋，给自己加一段有的没的背景的设定还要谈一个恋爱，不能忍。政治更是正确得不得了。黑人是好人、女权也要有，同性群体的心情也要考虑，波洛的冷静变成了咆哮。。。
拆什么不好！非得拆经典？之所以称为经典，已经不是一般二般人能动的了。导演别在是个傻瓜吧？
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