To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
死去的小神龙俱乐部突然开始攻击我，好怕片尾迟帅会唱着“为所有爱执着的痛”从天而降
故事非常非常一般，全片的梗堆得也太多了，全靠梗撑着，不过还是挺好笑的，及格分加一颗星给梗。虽然主角都是动画角色，女警演得也太牵强了，你是一个粉丝诶！最后见到偶像表现得皮笑肉不笑真的好吗？
就..一般吧 看到秃老肥的小飞侠有点唏嘘（
各种IP大乱炖，彩蛋找得让人眼花缭乱，2D与3D结合的画风太有趣了，奇奇蒂蒂不管怎么样都好可爱
2D和3D的融合，还是很有趣的一个故事，老友重新找到默契
恶搞致敬了众多动画人物与电影，并且惊艳的是居然融合了众多的动画风格。
不低幼，而且很超预期，喜欢迪士尼动画的赶紧去看。rangers我觉得是“游侠”的意思
迪士尼过气艺人大party，时代的眼泪。其实蛮有趣的，至少让人津津有味，情节也不太重要，快乐就够了，我还蛮喜欢这种2D和3D乱炖的搭配。
做好了再看一部“刺猬索尼克2”的准备，结果很惊喜；只有迪士尼这样的版权大户才拍的了；“你就只会重复用旧剧本吗？”迪，你吐槽你自己也好狠啊。
就是莫名有点泪目吧 两个角色也是充满童年记忆的 小时候玩的松鼠大战 最后那个植入范迪塞尔是速激广告吗？
眼熟ip大聚会。上一部我印象深刻的动画真人mix影片还是空中大灌篮呢
剧情虽然老套点但是我还蛮喜欢这种的！！！迪斯尼秀版权的电影，就是2d和3d混合偶尔有点奇怪，大部分都融合的蛮好的，彩蛋真的好多！！我爱看合家欢电影！！老年索尼克说实话也帅啊˃ʍ˂
迪士尼炒冷饭大盆菜
终于体会到到处找彩蛋的感觉～哈哈哈哈哈哈哈
什么玩楞啊，迪士尼还把盗版侵权专门搞个片子。杂烩就杂烩吧全程听这俩耗子叨逼叨，毫无剧情观赏感
全世界都流行炒冷饭，主意不错，故事老套，Aïssa 推荐
卖情怀，各家的角色都拉来玩梗，虽然大多都能GET到，但其实也不怎么好笑，就像3D索尼克都那样了，就别鞭尸了，还鞭那么久，太辣眼睛了。明显的经费不足。剧情太无聊了，看了30多分钟就睡着了。。。
懂了懂了，版权富人又在炫富了！松鼠大战游戏记忆唤起！想住进爱豆自己收集的全周边小屋里！以及...竟然有一天snoopy的耳朵会出现在奇奇的脑袋上...双厨狂喜？好像也并没有。。。
就是莫名有点泪目吧 两个角色也是充满童年记忆的 小时候玩的松鼠大战 最后那个植入范迪塞尔是速激广告吗？
可以是看作这个时代的《谁陷害了兔子罗杰》，但并不代表本片有着后者那样的意义。不过是一次不甚出彩的模仿与重复。在如今，这样的特效水准或许有进步，但剧作竟远不及八十年代。
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