With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
居然还能看下去 以及男主和男狗的故事还居然有点感人 但是我最喜欢的就是小蝴蝶犬 你就是我最喜欢的小姑娘！
中文配音与动画片不一样、没有动画片那么可爱有趣～整体电影还是蛮感人的～孩子们很喜欢～
没想到我现在看到狗狗团结在一起也有想哭的冲动
迪士尼式的叙事套路，一个关于成长的故事，和电视版风格不一样，完全超出预期。孩子看得也很开心。
勉勉强强联合寻亲记，给无性繁殖迅猛龙5颗星。
狗狗有毛了，但是故事还是有很强的拼凑感，有些笑料也略显低级，陈旧，不过还是一部合格的低幼片
弟弟看的很开心，整体结构很大片。
带锤宝看的~大荧幕上的小狗狗更可爱了~阿奇飞跃高楼（想起速激了）~天天用飞机炸那个云朵吸收器（酷狗狗不差钱）~莱德：周边卖得好，总部差不了。
🐯年陪🍊看的第一部电影。典型美式爆米花喜剧动画，看到了周边在冒泡，也傻笑得很开心系列。
但我真的很想睡觉🤣🤣
没有想象中难看耶。马耳他一段比较亮眼。老年组每次出来夕阳红我都看不下去。美国人的特效在复古式进步，但布景实在是越来越小和假了。还好我现在看好莱坞大制作都是薅羊毛，看特殊格式是不可能看的
全家欢，小朋友都喜欢勇敢狗狗，虽然我们家的已经十岁了。
狗勾的毛看着手感好好，想rua🤤
没错，陪孩子上电影院看的，故事情节总是太老套，但是孩子喜欢。
替我女儿打个五星。话说回来针对低龄小朋友的动画片，大人看能不觉得降智，已经很不错了。
我旁边小孩一直在喊，爸爸我要看恐龙，恐龙呢。。。擦，我也是这么想的。人比恐龙多，我的恐龙呢？前摇也太长了，仿佛在看碟中谍，这么说起来反派恐龙好歹比反派人靠谱。但是难得的爆米花片，凑合吧。
能看得出诚意满满，惊觉Kim在里面配音，在想会不会是家里某位小可爱也喜欢汪汪队。（和外甥第一次在电影院看电影）
多了几只狗狗新角色，都很可爱。
亲子时光，我睡着了一会，小朋友看得很投入，他印象最深的是阿奇小时候被抛弃了。
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