Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
图图的家，街景，超市画面精致了好多多了很多细节
打个怪，拯救个世界，搞个对象。dalek已经看腻了
这不完全就是重制版么，除了画质变得好点，那么给个三星就行，真的不能更多了。
经典的戴立克。中规中矩的剧情吧。突破“它预判你的预判”。
emmmmmm这是致敬罗拉快跑？还是里面提的土拨鼠之日？emmmmmm，单看这一集其实还行吧，要不是我已经看过罗拉快跑了，而且我的担心成真了，CC真的让Yaz和十三姨成了爱情，我不想她俩的姐妹情成真啊啊啊啊😭，Yaz一点也不适合十三姨啊！她适合做旅伴可是不适合爱情啊。所以Dr.是性别变了但性取向没变吗？顺便吐槽一句预告，居然真的要有中国的戏份了吗？
开头是童年经典再放送。图图与牛爷爷刚认识的那集，只是略微改动了一点就搬上了大荧幕。我清楚的记得tv版是怎样的，一眼就能看出哪里改动了。小时候特别馋壮壮哥哥那罐有三个口味的汽水，我在影院里好像回到了小时候。虽然这部剧情简单又平淡，远不如上一部图图系列电影，但不论怎样，我都愿意给图图五颗星。希望图图电影能一直做下去，他是我一去不复返童年的标志。只要图图还在播出，那我的童年就不会消失。
恐怖蜡像馆的女主都演青春期少女的妈妈了。。。。岁月啊。。。
开端🌚最后那个男的是谁哇就是，感情线更有趣了😅
儿歌合集凑时长？这不是低龄是低智。总之我儿子说不好看
给老人之家的老人们办了个联欢会
咋说呢，也不是觉得重制版完全不行，但是能不能提示一下，走进电影院发现是重置版还是很奇怪的。
幼儿园和养老院联动的问题真的可以考虑一下，白天在幼儿园上课，放学送到养老院跟老人玩，晚上再由刚下班的社畜爸妈接回家。
不是CC你是不是觉得你很幽默“观众看了三集都没有看出来13和Yaz的感情戏是因为Yaz暗恋博士！怎么样我把暗恋拍的多好！没有一个观众看得出来！”你以为你很幽默吗？？？我去三季了整整三季了！！就tm烟花那里让我觉得她们是双向的，甚至Yaz和Ryan的互动都比跟13暧昧，我甚至都默认这对cp了结果Ryan突然走了？？？然后Yaz突然告诉Dan她已经暗恋13很久了？？？这是在干什么！！！搞咩啊！！！打咩！！！我不接受好吗！我不接受！！
看到b站更新就草率地看了，上次看看图图还是在十几年前，听说是炒冷饭减一星。（小朋友们，健康哥哥要开真银斩啦！）
yaz喜欢doctor，我都不想说啥了好吧，本来剧情就这么差劲，你又把人设魔改，又整这一出，我吐了
原来主题是关爱老年人，挺好看的
十一国庆节带孩子去电影院，孩子很喜欢看，国内动画也很好呀
海事那个爱说“真的假的”的图图
有教育意义。但犯了国内很多动画片先入为主的错误，总是站在大人想象的儿童视角去安排故事情节，就显得片子不止是低幼，而且还弱智
5/10。牛爷爷的故事，把TV版几集粘合在一起，太敷衍了事了！小朋友去电影院看电视上的东西，不知道会不会失望。
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