Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
胜利在望却死在黎明到来前的夜晚，人生真是不可预料。
彩色4K复原版，我真的眼睛都要瞎了。剧情蛮紧凑的。大家都说男主帅，但是我一直在注意男主的发际线😥只觉得男主长得很伟光正。
资料馆看的4k彩色版，太红。最后的“同志们，永别了”通过电报发出来，悲壮。要求不高，明年一众主旋律片能拍出这片50%水平就算成功。
还能说什么…价值在于我们见证了中国电影工业化的进步…
2015-06-15，王心刚？。。。没认出来T_T
用美国的软件AI色彩修复一弄，就能吹什么国产自主修复，大国工匠云云，真不戳
从头打到尾，血腥程度有达到珍爱和平的目的。摄影和特效比较拉闸，装造好评。文戏拉闸，总觉得一些地方能往深处挖人物的内心世界。
“第七穿插连应到一百五十七人，实到一人。”
无论是冲锋在前，还是深入敌后，都是伟大的斗争。
黑白电影重制为彩色，增强了色彩表现力与愉悦度，不过对影片的整体质感的提升，或许并未有多大的帮助。老电影的黑白色彩特质，其实是加分项，因为更为符合时代与当时影片表现形式，所以维持其固有的黑白，应是更正确的选择。
在电影院看的 第一次看 像美术一样 真好看 向这样崇高的革命先辈们致敬！
一方面是家国大爱。一方面是可以将后背交付的爱情。虽死犹生。
电影没有高超多彩的镜头语言，绝大部分转场也基本都靠叠化和黑幕，但恰恰是朴素真实的笔触，才能描摹出那个时代最坚定的信仰、最深沉的爱，正如敌人的形容“这般点划清楚，犹如一汪清水。”
没有想象中的枯燥乏味和脸谱化的人物，情节合理、跌宕起伏，对白生动还有和姚韦亦敌亦友这样有趣的人物关系，戏剧思路清晰，非常惊喜。
昨天发现我们家附近的电影院有修复版的《永不消逝的电波》的彩色电影，一天两场还都是没什么人的时间段，票价也才20块钱一张，比起《长津湖》动不动五六十一张的电影票，真的相当便宜了，正好爷爷也想去看看，我就跟他一起去了。
这部片子必须向孙道临致敬，王新刚在孙道临的面前，完全没有了22大明星的风采
“他点划清楚，清澈的像一汪清水”
彩色修复的真不错(*๓´╰╯`๓)♡ 向老一代共产党人致敬
喜欢看老电影，主要是想透过镜头看以前中国的景，不过这里一大部分都是搭的场景吧。
现代谍战片的师祖，无数桥段被反复致敬模仿，但从未被超越。
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