2015年 荣获 最第四届凤凰纪录片盛典 最佳提名奖，提名最佳传播价值奖。
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该片是2013年纪录片《龙老一生》的续集，也是纪录片导演蒋能杰发起的抗战老兵系列纪录片中的一部。
龙运松：一名普通的中国远征军老兵，一直默默生活，不愿谈及英勇往事。龙老在耄耋之年，面对着镜头回顾自己一生；抓壮丁参军、转战南北、妻子另嫁、松山战役、接收日本投降等。
而今， 当年英雄疾病缠身，晚年落寞，老无所依，一直不明白，当年就是抗日了，怎么就成了反革命和兵痞了，还想着晚年能得到国家的认可，2014年龙老归队，而葬礼的悼词让我们反思。
A veteran, Mr. Long’s life was full of legend. Yet, he lived his life in silence and never told others about his experience in the battlefield. There were many scars on his body and he got three shots only in the Songshan Battle. One of them went through between the bones and the scar had been apparently seen so far.
Mr. Long went to the battlefield in the year he got married, where he received a letter from his wife. It read,” I’m going to remarry, may I get your approval?” Later on, Jiang Kai Sing was defeated and asked them to go to Taiwan together. Mr. Long refused,” No, I haven’t seen my parents for years.” However, when he got back to his hometown, his parents passed away soon and his wife had got remarried for two years. After that, he never got married again and lived his whole life in loneliness.
Mr. Long was defined as a bad guy or solider riffraff during the Cultural Revolution period. Afterwards, when people asked him about his experience in the battlefield, he got scared as political investigation came to his mind immediately. “I’ve explained everything in those years, why you’ve come to ask me again? I’ve explained so many times.” To get rehabilitated, he kept visiting leaders of relevant institutions. All his family persuaded him not to do so, because “You’re the Kuomintang’s solider.”
He was getting worse and worse with severe stomach problems, no care from children and high medical fees. He said,” I can’t get cured. If I don’t die this year, I’ll die next year. There’s no point living for a few more years. I’d better die today and I don’t want to be human being next life. It’s too tough.”
Only until 2013, the national Ministry of Civil Affairs announced official documents to rehabilitate the anti-war soldiers. Meanwhile, the ministry promised that there were funds to deal with difficulties in their old ages. When Mr. Long heard this, he could not conceal his excitement with trembling all over. He kept asking,” Is it for real?” However, he had passed away before he received the pension. In Mr. Long’s funeral, a villager announced the memorial speech loudly, which drew us into deep thought……
戳爷好帅好好看 电影的话 觉得色调很不错 故事平平 是大概能想到的走向 不过gay和les的友情还是蛮好的
HIV没有打败他 反而是最亲近的人差点杀死他 还好生活总有希望不是吗
David Bowie or Taylor Swift 是一次与众不同的邂逅才明白的付出值得 是三个月里对情感体验的漫延成长 是佛罗里达夏天的青春糖水
舞台剧化的极简处理和特殊画幅的黑白影像让电影极具风格化，也让形式大于内容，布光、摄影、置景把野心和恐惧具象化算是影片的亮点，还有就是丹泽尔和科恩嫂时而慷慨激昂时而歇斯底里的表演。
台词过于密集语速太快，“说”压倒性地超越了“做”和“想”。丹泽尔裙带了一众黑人表亲，强求政治正确的违和始终在阻碍阅读。屏宽配色光线包括宫殿线条构造，乔尔单飞第一弹很有辨识度，却实难令人称道。
虽然充满话剧感的莎剧确实让人犯困，但绝妙的黑白光影，冷峻简洁的建筑美学和两位主演神经质的表演又令人看的心旷神怡。
7.6 舞台剧般的对白与戏剧冲突。少了科恩兄弟原来的黑色幽默，保有寓言故事的成分。在光与影、建筑结构的设计上可见用心。但这个老故事没有特别吸引人。
感觉像是专门拍给女生粉们观看的偶像片。戳爷的颜值的确很高，但演技还有待打磨。加油加油
「黑白电影年年有，二〇二一尤其多。」不得不称赞一句，镜头布局可太爱了，戏剧改编也真就很drama。
听不懂啊真的听不懂，莎翁的文本还是太难懂了，好在知道剧情是啥不然真的看的云里雾里的。美术风格十分风格化，用了一种极简的风格，用混凝土在屏幕上打造了一个舞台还原经典命运悲剧。黑泽明的《蜘蛛巢城》是日本电影对莎翁的本土化改编，本部《麦克白的悲剧》在风格上感觉也借鉴了黑泽明的一些风格。
美即是恶，恶即是美——科恩新作《麦克白的悲剧》试图将东方的「阴阳」学说与西方的「三位一体」教义与人类自身的美与恶进行融合，如标题「预言」所说，人神交媾后的产物最终酿成了大家不愿看到的结果。偶然又必然闯入人间——钻进人类体内「假慈悲」的秃鹰——终究是破坏了善恶、黑白、男女、东西，以及科恩兄弟之间和谐运转的自然法则。这部「后人类中心主义」视角下，以「极端个人主义」美学批判由「极端个人主义」美学引起的「恐怖主义」事件，借古喻今的政治宣言貌似是在给「当局者」建议，实则是在煽动权力「下位者」推翻这个诅咒般的「权游」体系。即，将被麦克白夫人「悄悄」放进麦克白意识里的鬼/神再通过麦克白夫人之手将其放飞出去。毕竟，在神抑或鬼的教唆下，该死的暴君非但不会被刺死，这样的国际笑话抑或历史悲剧反而会没完没了的降生。
还以为我是第一次接触麦克白的剧情，没想到已经在《蜘蛛巢城》里看过一次了。
科恩嫂什么时候重回舞台？喜见Bertie Carvel
我为他付出真心，他却只把我当成夏日的“消遣”。戳爷真的太适合演电影了！！！夏日感拉满了！
室外舞台剧，画面出彩，剧情乏味，大段哲理对白貌似伯格曼附体。极简又不极简，精致又不经典，都在照本宣科的走台。6.2
戳爷真的宝藏！剧本收放得恰到好处（除了老板娘的分支过于白目），每个人都有一个转瞬即逝成长的夏天。稍微有点可惜的是，戳爷配的两首歌都离巅峰甚远。
也许是少年，也许是成长。
太美了！经久不衰的麦克白，保留莎士比亚剧本精髓的一次改编。“I have no words; my voice is in my sword…”
就像是用电影化的镜头语言、声效特效等呈现一出在比较真实场景演绎的莎士比亚舞台剧。—— 自己平时耳闻目睹，再加上观看这部电影时偶然了解的一些情况，越来越觉得TA们曾经说的话还蛮真实的。然而，这种真实有时却是不被某些人接受的，有些人只愿相信他们想要相信的事物，哪怕是虚假的？！
还不错。青春片就是要谈恋爱，戳演起这个角色比甜茶顺手的多（怀疑本人就是在tla）以及可以想象到霉霉看到电影气到半夜三点爬起来写歌骂戳的场面了（不
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